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Dr Gregory Dolgopolov

Dr Gregory Dolgopolov

Senior Lecturer

PhD, Murdoch

BA (Hons), Melbourne 听听

Arts, Design & Architecture (ADA)
School of the Arts and Media

Dr Greg Dolgopolov is a Senior Lecturer in film as well as a film curator, film producer and festival director. His scholarship spans video production, film theory, film literacy, and, notably, the study of film festivals and the crime genre, including Australian, post-Soviet, and cross-cultural cinema. Most recently his film, The Dam, won the audience award at the Dark Nights film festival.

Dolgopolov is known for his role as artistic director and curator of some of the region鈥檚 most significant film festivals. He is the founding director of the Vision Splendid Outback Film Festival (since 2013), Australia's largest showcase for outback cinema and a defining event for Australian rural and crime genres. He also directs the Russian Resurrection Film Festival (since 2008), the largest Russian cinema festival outside Russia, and the Short+Sweet Film Festival (since 2017). These festivals reflect his dedication to cultural exchange, diversity in programming, and the promotion of both Australian and international cinema. Dolgopolov is also a co-curator for emerging initiatives such as the Inner West Film Festival, focusing on fostering local talent and celebrating innovation and world cinemas.

Beyond event curation, Dolgopolov has been an advocate and consultant for film festival development, advising both state government bodies and independent festivals. His efforts extend into digital innovation, co-founding the FilmFest online platform to help streamline and coordinate the Australian festival circuit.

Dr Dolgopolov鈥檚 research addresses film distribution, short film cultures, the role of film festivals as cultural agents, and genre studies鈥攑articularly Australian and post-Soviet crime cinema. His scholarship appears in key journals like听Social Semiotics,听Senses of Cinema, and听Metro, and often explores intersections between multiculturalism, media, and screen literacy. He also supervises research in creative practice, Indigenous cinema and contemporary genre film. Most recently he is executive producer on Dunny Derby: The Legend of Derek Dallas and the Underbogs (2025) and a key researcher on Citizens at War, the documentary series about the war in Ukraine.

Greg Dolgopolov鈥檚 impact is felt both in scholarly circles and across the wider screen culture sector, distinguished by his commitment to film curation, academic research, and the dynamic development of film festivals in Australia and beyond.

Phone
+61 2 9385 4866
Location
207, Level 2 Robert Webster
  • Book Chapters | 2025
    Dolgopolov G, 2025, 'A PALACE FOR PUTIN: NAVALNY鈥橲 IRONIC DOCUMENTARY', in Kostina A; Shpolberg M (ed.), The New Russian Documentary: Reclaiming Reality in the Age of Authoritarianism: Contemporary Russian Documentary, Edinburgh University Press, Edinburgh, pp. 49 - 63,
    Book Chapters | 2023
    Dolgopolov G, 2023, 'Creating Digitally: Computer Films/Screenlife/Zoom', in Creating Digitally Shifting Boundaries: Arts and Technologies - Contemporary Applications and Concepts, Springer, pp. 161 - 183,
    Book Chapters | 2023
    Dolgopolov G, 2023, 'Forged Network-Narratives: Tolstoy鈥檚 The Forged Coupon and a cycle of adaptations in World Cinema', in Sobolev O; Smith A (ed.), Film Adaptations of Russian Classics Dialogism and Authorship, Edinburgh University Press, Edinburgh,
    Book Chapters | 2021
    Dolgopolov G, 2021, 'New Australian Crime Drama', in Ryan MD; McWilliams K (ed.), Australian Genre Film, pp. 74 - 89,
    Book Chapters | 2019
    Dolgopolov G, 2019, 'Legend No. 17', in Salys R (ed.), The Contemporary Russian Cinema Reader 2005-2016, Academic Studies Press,
    Book Chapters | 2017
    Dolgopolov G, 2017, 'Lost and Found: Children in Indigenous Australian Cinema', in Donald SH; Wilson E; Wright S (ed.), Childhood and Nation in Contemporary World Cinema: Borders and Encounters, BLOOMSBURY PUBL INC, pp. 32 - 42
    Book Chapters | 2015
    Dolgopolov G; Stern L, 2015, ''Beware film star! Towards a performance and cultural analysis of Innokenty Smoktunovsky as Soviet film star'', in Bandhauer A; Royer M (ed.), Stars in World Cinema Screen Icons and Star Systems Across Culture, I.B. Tauris & Co. Ltd., London & New York, pp. 131 - 142,
    Book Chapters | 2015
    Dolgopolov G, 2015, 'Animal Kingdom', in Directory of World Cinema Australia and New Zealand 2, pp. 99 - 100
    Book Chapters | 2015
    Dolgopolov G, 2015, 'CRIME', in Ryan MD; Lealand D; Goldsmith B (ed.), Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E,
    Book Chapters | 2015
    Dolgopolov G, 2015, 'Snowtown', in Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E
    Book Chapters | 2013
    Dolgopolov G, 2013, ''The Futures of Film Festivals in Sydney'', in Kaufman T; Bateman C; Poe J (ed.), Sydney Film Festival 1954 to Now: A Living Archive, Sydney Film Festival, Sydney,
    Book Chapters | 2013
    Dolgopolov G, 2013, 'High Stakes: The Vampire and the Double in Russian Cinema', in Och D; Strayer K (ed.), Transnational Horror Across Visual Media, Routledge, London,
    Book Chapters | 2013
    Dolgopolov G, 2013, '鈥楨thnic, Diasporic, Multicultural? The Film Festival as Policy and Practice鈥', in Jakubowicz A; Ho C (ed.), 鈥楩or those who鈥檝e come across the seas鈥︹橝ustralian Multiculturalism: Theory Policy and Practice', Australian Scholarly Publishing, North Melbourne, pp. 68 - 82,
    Book Chapters | 2010
    Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), DIRECTORY OF WORLD CINEMA RUSSIA, Intellect, Bristol,
    Book Chapters | 2010
    Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), Directory of world cinema, Russia, Intellect, Bristol, UK, pp. 250 - 252
    Book Chapters | 2009
    Dolgopolov G, 2009, 'Excess in Oz: The Crazy Russian and the Quiet Australian', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92
    Book Chapters | 2009
    Dolgopolov G, 2009, '鈥淓xcess in Oz: The Crazy Russian and the Quiet Australian鈥', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92
  • Edited Books | 2017
    Hemelryk Donald SJ; Wilson E; Wright S; Blejmar J; Dolgopolov G; Lebeau V; Bruveris K; Lanicek J; Danta S; Flanagan V; Solomon S; Beckett J; Lawrence M; Kilduff H; Qiu Z; Indelicato M, (eds.), 2017, Childhood and Nation in World Cinema: borders and encounters, Bloomsbury, London and New York,
  • Journal articles | 2022
    Dolgopolov G, 2022, 'Germinating the Ant Plant', Short Film Studies, 12, pp. 115 - 124,
    Journal articles | 2022
    Dolgopolov G, 2022, 'How Solntsepyok, a brutal 2021 propaganda film, primed Russians for war with Ukraine鈥', The Conversation,
    Journal articles | 2022
    Dolgopolov G, 2022, '鈥楿311 Cherkasy, the little minesweeper of a Ukrainian film that gave the finger to the Russian Navy鈥', The Conversation,
    Journal articles | 2021
    Dolgopolov G, 2021, 'Ghosting in the outback Noir', Coolabah, pp. 4 - 16,
    Journal articles | 2021
    Dolgopolov G, 2021, 'Konstantin Buslov: Kalashnikov', KinoKultura,
    Journal articles | 2021
    Dolgopolov G, 2021, 'Pavel Kostomarov: To the Lake (Epidemiia, 2019) EPIDEMIC AND EXPOSURE THERAPY', KinoKultura,
    Journal articles | 2021
    Dolgopolov G, 2021, 'Russian Screen Responses to the Pandemic', Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 12 (2021),
    Journal articles | 2020
    Dolgopolov G, 2020, 'Elena Khazanova: Mistresses', KinoKultura,
    Journal articles | 2019
    Dolgopolov G, 2019, 'Indigenous representations on screen and in print', METRO, pp. 18 - 20,
    Journal articles | 2018
    Dolgopolov G, 2018, 'Aleksei Nuzhnyi: I鈥檓 Losing Weight', KinoKultura, 1,
    Journal articles | 2018
    Dolgopolov G, 2018, 'Donbass', Film Ink,
    Journal articles | 2017
    Dolgopolov G, 2017, 'House on Trubnaya', Senses of Cinema,
    Journal articles | 2017
    Dolgopolov G, 2017, 'Khrustalyov My Car', Senses of Cinema,
    Journal articles | 2016
    Dolgopolov G; Carroll Harris LF; Stevens K, 2016, 'Distribution and film festivals: editorial introduction', Studies in Australasian Cinema, 10, pp. 97 - 99,
    Journal articles | 2016
    Dolgopolov G, 2016, 'GOLDSTONE', METRO, pp. 8 - 13,
    Journal articles | 2016
    Dolgopolov G, 2016, 'Vasilii Serikov: 22 Minutes', Kinokultura, 51,
    Journal articles | 2016
    Dolgopolov G, 2016, 'Will to Truth ADAPTATION AND THE UNCANNY IN SIMON STONE'S THE DAUGHTER', METRO, pp. 6 - 11,
    Journal articles | 2015
    Dolgopolov G; Carroll Harris LF; Stevens K, 2015, 'Introductory essay: distribution', Studies in Australasian Cinema, 9, pp. 3 - 6,
    Journal articles | 2015
    Dolgopolov G, 2015, 'Odyssey Across the Outback Jeremy Sims' Last Cab to Darwin', METRO, pp. 68 - 73,
    Journal articles | 2015
    Dolgopolov G, 2015, 'Reeling in the beast: The anti-Russian, Russian 'Leviathan'', Metro Magazine, pp. 68 - 73,
    Journal articles | 2015
    Dolgopolov G, 2015, '鈥楶ossum (1997) 鈥 The Fractured Family and Turning Animal鈥', Short Film Studies, 6, pp. 57 - 60,
    Journal articles | 2015
    Stevens K; Harris LC; Dolgopolov G, 2015, 'Special section: Inside looking out -film festival reports', Studies in Australasian Cinema, 9, pp. 187 - 189,
    Journal articles | 2014
    Dolgopolov G, 2014, ''Fissures in the fiction: The Broken Shore鈥', Metro Magazine, 180, pp. 68 - 70,
    Journal articles | 2014
    Dolgopolov G, 2014, 'Heart of darkness: Wolf Creek 2', Metro Magazine, 180, pp. 24 - 29,
    Journal articles | 2014
    Dolgopolov G, 2014, '鈥楢 future forlorn: David Michod's The Rover鈥', Metro Magazine, 182, pp. 28 - 33,
    Journal articles | 2014
    Dolgopolov G, 2014, '鈥楤eyond black and white: Indigenous cinema and the mainstream鈥', Metro Magazine, 181, pp. 78 - 83,
    Journal articles | 2014
    Dolgopolov G, 2014, '鈥楽ochi on screen: how Russia is being sold to Russians鈥', The Conversation, 17 Feb 2014,
    Journal articles | 2013
    Dolgopolov G, 2013, 'The Surfeit of Film Festivals', ArtsHub,
    Journal articles | 2012
    Dolgopolov G, 2012, 'Loot', KinoKultura,
    Journal articles | 2012
    Dolgopolov G, 2012, 'Night Watch: Transmedia, Game and Nation', Digital Icons, 8,
    Journal articles | 2012
    Dolgopolov G, 2012, '鈥楥ollaboration or Cooperation?鈥', LUMINA
    Journal articles | 2011
    Dolgopolov G, 2011, 'Cinema, modernity, modernism: Selected papers from the XVth Biennial Conference of the Film and History Association of Australia and New Zealand (FHAANZ), University of New South Wales, Sydney, Australia', Studies in Australasian Cinema, 5, pp. 101 - 106,
    Journal articles | 2011
    Dolgopolov G, 2011, 'The Petrov Affair: An ambivalent migrant narrative', Studies in Australasian Cinema, 5, pp. 121 - 130,
    Journal articles | 2011
    Dolgopolov G, 2011, 'The political documentary in Australia today', Lumina, 8, pp. 276 - 290,
    Journal articles | 2011
    Dolgopolov G, 2011, '鈥楢lexander Nevsky鈥', Senses of Cinema, 58,
    Journal articles | 2011
    Dolgopolov G, 2011, '鈥淎 pointed condemnation of an effete Western society鈥: The Adventures of Barry McKenzie (Bruce Beresford, 1972)', Senses of Cinema, 58,
    Journal articles | 2010
    Dolgopolov G, 2010, 'Asya's Happiness', Senses of Cinema,
    Journal articles | 2010
    Dolgopolov G, 2010, 'The Needle', Senses of Cinema,
    Journal articles | 2010
    Dolgopolov G, 2010, '鈥極utback Camp Vamps: A Survey Of Australian Vampire Films鈥', Lumina Australian journal of Screen Arts and Business, pp. 103 - 124,
    Journal articles | 2009
    Dolgopolov G, 2009, 'Asya鈥檚 Happiness', Senses of Cinema
    Journal articles | 2009
    Dolgopolov G, 2009, 'Don鈥檛 Think about White Monkeys', KinoKultura, 25
    Journal articles | 2009
    Dolgopolov G, 2009, 'The Mother', KinoKultura, 23
    Journal articles | 2008
    Balint R; Dolgopolov G, 2008, 'Film', Sydney Journal, 1, pp. 33 - 44,
    Journal articles | 2007
    Dolgopolov G, 2007, 'Ruslan and Ludmila', Senses of Cinema, 43, pp. Online Journal
    Journal articles | 2007
    Dolgopolov G, 2007, 'Vsevolod Plotkin: The Elevator (Lift, 2006)', KinoKultura, 16
    Journal articles | 2006
    Dolgopolov G, 2006, 'Imagining Iran: A Symposium on Iranian Cinema', Senses of Cinema, 38, pp. online
    Journal articles | 2000
    Dolgopolov G, 2000, 'World history in 60 seconds: How bank imperial re-edited Russian binary logic', Social Semiotics, 10, pp. 5 - 20,
  • Curatorial Outputs | 2025
    Dolgopolov G, 2025, 2025 World Paddling Film Festival, exhibited at: Bondi Beach, 25 March 2025 - 25 March 2025,
    Curatorial Outputs | 2024
    Dolgopolov G, 2024, 2024 Vision Splendid Outback Film Festival, exhibited at: Royal Theatre and Waltzing Matilda Centre, Winton, Queensland, 28 June 2024 - 06 July 2024,
    Curatorial Outputs | 2024
    Dolgopolov G, 2024, Inner West Film Fest 2024, exhibited at: Sydney, 11 April 2024 - 21 April 2024,
    Curatorial Outputs | 2023
    Dolgopolov G, 2023, Inner West Film Fest 2023, exhibited at: Sydney, 06 April 2023 - 10 April 2023,
    Curatorial Outputs | 2023
    Dolgopolov G, 2023, Vision Splendid Outback Film Festival 2023, exhibited at: Winton, Queensland, 22 June 2023 - 01 July 2023,
    Creative Works (non-textual) | 2022
    Dolgopolov G; Gibson P, 2022, The Ant Plant, EyeMyth Festival, India, 01 March 2022 - 30 March 2022, medium: Digital cinema, at: https://eyemyth.in/
    Curatorial Outputs | 2022
    Dolgopolov G, 2022, Vision Splendid Outback Film Festival 2022, exhibited at: Winton, Queensland, 23 June 2022 - 02 July 2022,
    Curatorial Outputs | 2021
    Dolgopolov G, 2021, Vision Splendid Outback Film Festival 2021, exhibited at: Winton, Queensland, 25 June 2021 - 04 July 2021,
    Curatorial Outputs | 2020
    Dolgopolov G, 2020, Vision Splendid Outback Film Festival 2020, exhibited at: Royal Theatre, Winton, Queensland, 26 June 2020 - 04 July 2020,
    Creative Works (non-textual) | 2019
    Dolgopolov G; Fox M, 2019, THE NED KELLY GANG REMIX, Pacific Meridian Film Festival, Vladivostok, Russia, 03 July 2019 - 18 September 2019, medium: DCP digital media file, at: http://pacificmeridianfest.ru/news/fest/the-17th-pacific-meridian-program
    Curatorial Outputs | 2019
    Dolgopolov G, 2019, NOX Night Sculpture Walk, exhibited at: Randwick, Sydney, 10 May 2019 - 12 November 2019,
    Curatorial Outputs | 2019
    Dolgopolov G, 2019, Short and Sweet Film Festival, exhibited at: Sydney, 27 August 2019 - 06 September 2019,
    Curatorial Outputs | 2019
    Dolgopolov G, 2019, The Best Short Films from Australian: Short + Sweet 2, exhibited at: Moscow, St.Petersburg, Kazan, Cheboksary, Yekterinburg, Novosibirsk, Vladivostok, 16 May 2019 - 29 May 2019,
    Curatorial Outputs | 2019
    Dolgopolov G, 2019, The Russian Resurrection Film Festival 2019, exhibited at: Sydney, Melbourne, Perth, Brisbane, Canberra, Gold Coast, Adelaide, Auckland, 25 October 2019 - 20 November 2019,
    Curatorial Outputs | 2019
    Dolgopolov G, 2019, Vision Splendid Outback Film Festival 2019, exhibited at: Winton, Queensland, 27 June 2019 - 07 July 2019,
    Conference Papers | 2018
    Dolgopolov G, 2018, 'His Master鈥檚 Voice? Narration and voicing authority in the audio-visual essay.', in Redmond S; Perkins C; Fowler C (eds.), Monash University, presented at Not Another Brick in the Wall Teaching and Researching the Audio Video Essay., Monash University, 19 November 2018 - 20 November 2018
    Conference Papers | 2018
    Dolgopolov G, 2018, 'Uses of Film Festivals', Monash University, presented at Uses of Cinema: Film History of Australia and New Zealand Conference, Monash University, 20 November 2018 - 23 November 2018
    Curatorial Outputs | 2018
    Dolgopolov G, 2018, Russian Resurrection Film Festival, exhibited at: Sydney, Melbourne, Perth, Brisbane, Canberra, Auckland, 01 November 2018 - 21 November 2018,
    Curatorial Outputs | 2018
    Dolgopolov G, 2018, Short + Sweet: Best Australian Films at the FIFA World Cup, Russia, exhibited at: Moscow, Kazan, Samara, Sochi, 10 March 2018 - 27 March 2019
    Curatorial Outputs | 2018
    Dolgopolov G, 2018, Vision Splendid Outback Film Festival 2018, exhibited at: Winton, Queensland, 28 June 2018 - 08 July 2018,
    Curatorial Outputs | 2018
    Dolgopolov GA, 2018, Short + Sweet Film Festival Sydney, exhibited at: Sydney, 06 March 2018 - 07 April 2018,
    Other | 2018
    Dolgopolov G (ed.), 2018, NIGHT SHIFT, Marius Vaisberg producer, Moscow,
    Curatorial Outputs | 2017
    DOLGOPOLOV GA, 2017, Short+Sweet Film Festival Melbourne, exhibited at: Melbourne State Film Theatre, 20 July 2017 - 27 July 2017,
    Curatorial Outputs | 2017
    Dolgopolov GA, 2017, The Russian Resurrection Film Festival 2017, exhibited at: Sydney, Brisbane, Canberra, Perth, Auckland, Melbourne, 26 October 2017 - 17 November 2017,
    Curatorial Outputs | 2017
    Dolgopolov GA, 2017, Vision Splendid Outback Film Festival, exhibited at: Winton, Queensland, 29 June 2017 - 07 July 2017,
    Recorded / Rendered Creative Works | 2016
    Dolgopolov G, 2016, The Russian Resurrection Film Festival (13th year), Editor(s): Dolgopolov G, Film (DCP), Published: 27 October 2016, Recorded / Rendered Creative Works,
    Curatorial Outputs | 2016
    Dolgopolov G, 2016, Vision Splendid Outback Film Festival 2016, exhibited at: Winton, 24 June 2016 - 02 July 2016,
    Curatorial Outputs | 2015
    Dolgopolov G, 2015, Vision Splendid Outback Film Festival 2015, exhibited at: Winton, 26 June 2015 - 04 July 2015,
    Curatorial Outputs | 2014
    Dolgopolov G, 2014, The 11th Russian Resurrection Film Festival, exhibited at: Sydney, Melbourne, Canberra, Perth, Brisbane, Adelaide, 20 October 2014 - 15 November 2014,
    Curatorial Outputs | 2014
    Dolgopolov G, 2014, Vision Splendid Outback Film Festival, exhibited at: Winton, Queensland, 23 June 2014 - 07 July 2014,
    Curatorial Outputs | 2013
    Dolgopolov G, 2013, Russian Resurrection Film Festival 2013, exhibited at: Chauvel Cinema, Sydney,, 03 July 2013 - 11 August 2013, Russian Resurrection 2013,
    Curatorial Outputs | 2012
    Dolgopolov G, 2012, The Russia Resurrection Film Festival, exhibited at: Syd, Melb, Adel, Perth, Canberra, Brisbane, - , Russian Resurrection Film Festival,
    Curatorial Outputs | 2011
    Dolgopolov G, 2011, Russian Resurrection Film Festival, exhibited at: Syd, Melb, Adel, Perth, Canberra, Brisbane, - , Russian Resurrection Film Festival,
    Creative Works (non-textual) | 2010
    Dolgopolov G, 2010, Belka & Strelka, medium: Video
    Curatorial Outputs | 2010
    Dolgopolov G, 2010, Russian Resurrection Film Festival, exhibited at: Sydney, Melbourne, Adelaide, Perth, Canberra, Brisbane, - , Russian Resurrection Film Festival,
    Conference Papers | 2007
    Dolgopolov G, 2007, 'The Aesthetics of Friendship: Cultural Differences in Cinematic Representations', in XVIIth International Congress of Aesthetics. Aesthetics Bridging Cultures, Ankara, Turkey, presented at XVIIth International Congress of Aesthetics. Aesthetics Bridging Cultures, Ankara, Turkey, 09 July 2007 - 13 July 2007
    Recorded / Rendered Creative Works | 2007
    Dolgopolov G, 2007, Black Russians, Video, Published: 2007, Recorded / Rendered Creative Works
    Recorded / Rendered Creative Works | 2007
    Dolgopolov G, 2007, Motion Sketches, Video, Published: 2007, Recorded / Rendered Creative Works

Dr Greg Dolgopolov is a Senior Lecturer in film as well as a film curator, film producer and festival director. His scholarship spans video production, film theory, film literacy, and, notably, the study of film festivals and the crime genre, including Australian, post-Soviet, and cross-cultural cinema. Most recently his film, The Dam, won the audience award at the Dark Nights film festival.

Dolgopolov is known for his role as artistic director and curator of some of the region鈥檚 most significant film festivals. He is the founding director of the Vision Splendid Outback Film Festival (since 2013), Australia's largest showcase for outback cinema and a defining event for Australian rural and crime genres. He also directs the Russian Resurrection Film Festival (since 2008), the largest Russian cinema festival outside Russia, and the Short+Sweet Film Festival (since 2017). These festivals reflect his dedication to cultural exchange, diversity in programming, and the promotion of both Australian and international cinema. Dolgopolov is also a co-curator for emerging initiatives such as the Inner West Film Festival, focusing on fostering local talent and celebrating innovation and world cinemas.

Beyond event curation, Dolgopolov has been an advocate and consultant for film festival development, advising both state government bodies and independent festivals. His efforts extend into digital innovation, co-founding the FilmFest online platform to help streamline and coordinate the Australian festival circuit.

Dr Dolgopolov鈥檚 research addresses film distribution, short film cultures, the role of film festivals as cultural agents, and genre studies鈥攑articularly Australian and post-Soviet crime cinema. His scholarship appears in key journals like听Social Semiotics,听Senses of Cinema, and听Metro, and often explores intersections between multiculturalism, media, and screen literacy. He also supervises research in creative practice, Indigenous cinema and contemporary genre film. Most recently he is executive producer on Dunny Derby: The Legend of Derek Dallas and the Underbogs (2025) and a key researcher on Citizens at War, the documentary series about the war in Ukraine.

Greg Dolgopolov鈥檚 impact is felt both in scholarly circles and across the wider screen culture sector, distinguished by his commitment to film curation, academic research, and the dynamic development of film festivals in Australia and beyond.

My Research Supervision

Female Horror Films and Domesticity听