91É«Ç鯬

Dr David Eastwood

Dr David Eastwood

Senior Lecturer

2013-18 Doctor of Philosophy, 91É«Ç鯬 Art & DesignÌý

1997-99 Master of Fine Arts, College of Fine Arts, University of New South Wales

1993-96ÌýBachelor of Fine Arts with First Class Honours & University Medal,ÌýCollege of Fine Arts, University of New South Wales

Arts, Design & Architecture (ADA)
School of Art & Design

Dr David Eastwood is an artist and academic whose practice is primarily situated in drawing and painting. He uses the interior as a genre through which to construct composite images that reconfigure spatio-temporalities, reevaluating relationships across historical periods and locations. His recent research examinesÌýthe “afterlifeâ€� of artists’ studios recontextualised as posthumous museum artefacts, revising our understanding of the modernist studio and its relationship to contemporary art practice.ÌýIn 2018 he completed a PhD on this topic, proposingÌýaÌýnuanced reinterpretation of the artist's studio as an assemblage of distributed materialities and agencies, an approach informed by the thinking of Gilles DeleuzeÌýand new materialism.ÌýEastwood also has a continuing interest in model-making as a tool to inform imaging practices. Of key interest is theÌýmodel’s status as a hypothetical object withÌýagency toÌýprovokeÌýspeculative thinking.Ìý

Eastwood is represented by Robin Gibson Gallery in Sydney and is a Senior Lecturer atÌý91É«Ç鯬 Art & Design, where he teaches in theÌýFine Arts program and is available to supervise Higher Degree Research candidates inÌýMasters and PhD programs.ÌýHeÌýhas examined PhD candidates at ANU and Curtin University; Masters candidates at USyd, UniSA, NAS and 91É«Ç鯬; and Bachelor of Visual Arts and Design (Honours) at ACU.

Completed Postgraduate Supervision:

Timothy PhillipsÌý(PhD, 2024)ÌýOblique Strategies: Queer Opacity in Figurative Painting, ANU (Associate Supervisor, external, with Dr Peter Alwast and Ruth Waller).

Megan Fizell (PhD, 2021) Gastronomic Body: Sensory and sociocultural dimensions of food art (supervised jointlyÌýwith Dr Lindsay Kelley).

Louise Zhang (MFA, 2016)ÌýMonstrous Masses: horror and slime in artÌý(supervised jointly with Dr Lindsay Kelley).

Theresa Darmody (MFA, 2015)ÌýThe Continuous Line:Ìýtranscoding knitted stitch patterns through painting in an investigation of the affective potential of patternÌý(supervised jointly with Dr Astrid Lorange).

Peter Nelson (MFA, 2012)ÌýExtensions of a No-Place: structure and narrative in invented landscapes.

Alexander Sims (MFA, 2010)ÌýSynthetic Modernism and the Grid.

Ìý

Ìý

Phone
+612 9065 5486
Location
Office F404, F Block, Paddington campus (cnr Oxford St & Greens Rd)
  • Book Chapters | 2022
    Eastwood D, 2022, 'Out of The Field, into the Dark', in Colless E; Eastwood D; Lehmann C; Thomas P (ed.), Dark Eden: Transdisciplinary Imaging at the Intersections of Art, Science and Culture, Art + Australia, Victorian College of the Arts, University of Melbourne, Southbank VIC, pp. 52 - 63,
    Book Chapters | 2022
    Loo S, 2022, 'Careful Whispers of the Butcher, or the Dark Image of Thought', in Colless E; Eastwood D; Lehmann C; Thomas P (ed.), Dark Eden: Transdisciplinary Imaging at the Intersections of Art, Science and Culture, Victorian College of the Arts, University of Melbourne, Melbourne, pp. 128 - 134
    Book Chapters | 2022
    Moline K; Goddard A; Hayman A; Casey T; Davis B, 2022, 'Curating the Data Imaginary: Fears and Fantasies in the Middle of a Dataverse Takeover (Like Science Fiction but Weirder)', in Colless E; Eastwood D; Lehmann C; Thomas P (ed.), Dark Eden. Transdisciplinary Imaging at the Intersections of Art, Science and Culture, Art + Australia, Victorian College of the Arts, University of Melbourne, Melbourne, pp. 180 - 187
    Book Chapters | 2017
    Eastwood D, 2017, 'The Studio As Cloud', in Aceti L; Thomas P; Colless E; Fisher L (ed.), Cloud and Molecular Aesthetics, LEA / MIT Press, Cambridge, MA, pp. 64 - 71,
    Book Chapters | 2014
    Eastwood D, 2014, 'Contaminated Immersion and Thomas Demand: The Dailies', in Interference Strategies, edn. LEA Books, Leonardo/ISAST, San Francisco, pp. 36 - 49,
  • Edited Books | 2022
    Edward C; Eastwood D; Lehmann C; Thomas P, (eds.), 2022, Dark Eden: Transdisciplinary Imaging at the Intersections of Art, Science and Culture, Victorian College of the Arts, University of Melbourne, Southbank VIC
  • Journal articles | 2025
    Kriss K; Eastwood D; Najafi H; Oh J-E; Sharp P; Chan YK, 2025, 'Embodied Mark Making: Reframing motion capture and drawing as disruptive and collaborative pedagogy', Journal of the ACM,
    Journal articles | 2015
    Eastwood D; Thomas P, 2015, 'Disruptive agents: Transdisciplinary and posthumous manifestations of the studio', Ubiquity: The Journal of Pervasive Media, 4, pp. 3 - 21,
  • Conference Papers | 2025
    Kriss K; Eastwood D; Najafi H; Oh J-E; Chan YK; Sharp P, 2025, 'Embodied Mark Making: Reframing motion capture and drawing as disruptive and collaborative pedagogy', Hong Kong, presented at SIGGRAPH ASIA 2025, Hong Kong, 14 December 2025 - 14 December 2025,
    Creative Works (non-textual) | 2023
    Eastwood D, 2023, False Monuments, False Monuments, Robin Gibson Gallery, 30 September 2023 - 21 October 2023, at: https://robingibson.net/exhibitions/david-eastwood-2023
    Creative Works (non-textual) | 2023
    Eastwood D, 2023, Pedal, Hazelhurst Art on Paper Award 2023, Hazelhurst Arts Centre, 16 September 2023 - 12 November 2023, medium: charcoal on paper, at: https://hazelhurst.sutherlandshire.nsw.gov.au/exhibitions/past-exhibitions/hazelhurst-gallery/2023/hazelhurst-art-on-paper-award-2023
    Creative Works (non-textual) | 2021
    Eastwood D, 2021, Artificial Artefacts, Artificial Artefacts, Robin Gibson Gallery, 278 Liverpool Street, Darlinghurst, Sydney NSW, 05 June 2021 - 30 June 2021, medium: 6 paintings (oil on polyester) and 6 drawings (charcoal on paper)., at: https://robingibson.net/exhibitions/david-eastwood-2021
    Theses / Dissertations | 2021
    Fizell M, 2021, Gastronomic body: sensory and sociocultural dimensions of food art,
    Creative Written Works | 2020
    Eastwood D, 2020, Isolation and the Artist's Studio, Art Monthly Australasia, Fitzgerald M, (ed.), Art Monthly Australia Pty Ltd,
    Conference Papers | 2020
    Eastwood D, 2020, 'Out of 'The Field', into the Dark', in figshare, 91É«Ç鯬 Art & Design, Sydney, presented at Dark Eden, 91É«Ç鯬 Art & Design, Sydney, 06 November 2020 - 08 November 2020,
    Conference Presentations | 2020
    Eastwood D, 2020, 'Out of The Field, into the dark', presented at Dark Eden: The Sixth International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, 91É«Ç鯬 Art & Design, Sydney, 06 November 2020 - 08 November 2020,
    Creative Works (non-textual) | 2020
    Eastwood D, 2020, Casa Morandi, LOVE IN THE TIME OF COVID-19, Art Gallery of South Australia, 04 September 2020 - 15 November 2020, medium: Inkjet pigment print on paper, at: https://www.agsa.sa.gov.au/whats-on/exhibitions/love-time-covid-19/
    Conference Presentations | 2019
    Eastwood D, 2019, 'Artistic Encounters via the Posthumous Studio', presented at AAANZ Conference 2019, The University of Auckland, Auckland NZ, 03 December 2019 - 06 December 2019,
    Creative Works (non-textual) | 2019
    Eastwood D, 2019, Vue d'atelier, Vue d'atelier, Robin Gibson Gallery, 278 Liverpool St Darlinghurst NSW 2010, 02 November 2019 - 27 November 2019, medium: 7 paintings (oil and acrylic on polyester), at: http://robingibson.net/exhibitions/david-eastwood-2019
    Theses / Dissertations | 2018
    Eastwood D, 2018, Studio Afterlife: The Function of the Posthumous Studio in Contemporary Art
    Creative Works (non-textual) | 2018
    Eastwood D, 2018, The Posthumous Studio, The Posthumous Studio, 91É«Ç鯬 Galleries, 29 September 2018 - 03 November 2018, medium: Paintings and video installation, at: https://artdesign.unsw.edu.au/unsw-galleries/david-eastwood-posthumous-studio
    Creative Written Works | 2017
    Eastwood D, 2017, Artist and Model, Artist and Model,
    Creative Works (non-textual) | 2017
    Eastwood D, 2017, 'Assemblage', 'Diorama', 'Casa Morandi' & 'Model', A Working Model of the World, 91É«Ç鯬 Galleries, Sydney, 05 May 2017 - 22 July 2017, medium: Acrylic on polyester, at: http://www.workingmodeloftheworld.com/
    Creative Works (non-textual) | 2017
    Eastwood D, 2017, 'Casa Morandi' & 'Model', A Working Model of the World, Sheila C. Johnson Design Centre, New York, 28 September 2017 - 13 December 2017, medium: Acrylic on board, at: http://www.workingmodeloftheworld.com/
    Creative Works (non-textual) | 2017
    Eastwood D, 2017, 'Excavation', 'Imposture', 'Mirror' & 'Periphery', 9 Hours Underground, Sydney Opera House Cave, Sydney, 14 September 2017 - 29 September 2017, medium: Oil, enamel and acrylic on polyester, at: http://www.artesian4.com/
    Conference Presentations | 2016
    Eastwood D, 2016, 'The Atemporal Mirror', presented at The Atemporal Image: The Fourth International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Plymouth University, 01 July 2016 - 03 July 2016,
    Creative Works (non-textual) | 2016
    Eastwood D, 2016, Reconstruction, Wall-to-wall, Robin Gibson Gallery, 278 Liverpool St, Darlinghurst NSW 2010, 11 June 2016 - 13 July 2016, medium: Acrylic on board, at: http://robingibson.net/exhibitions/wall-to-wall
    Creative Works (non-textual) | 2016
    Eastwood D, 2016, Replica, Wall-to-wall, Robin Gibson Gallery, 278 Liverpool St, Darlinghurst NSW 2010, 11 June 2016 - 13 July 2016, medium: Acrylic on board, at: http://robingibson.net/exhibitions/wall-to-wall
    Creative Works (non-textual) | 2016
    Eastwood D, 2016, The Atemporal Mirror, The Atemporal Mirror, Robin Gibson Gallery, 05 November 2016 - 30 November 2016, medium: Solo exhibition of paintings, at: http://robingibson.net/artists/david-eastwood
    Theses / Dissertations | 2016
    Zhang L, 2016, Monstrous Masses: Horror and slime in art
    Creative Works (non-textual) | 2015
    Eastwood D, 2015, Catalogue, Salon, Robin Gibson Gallery, 278 Liverpool Street Darlinghurst NSW 2010 Australia, 12 September 2015 - 30 September 2015, medium: Charcoal and graphite on paper, at: http://robingibson.net/exhibitions/salon
    Creative Works (non-textual) | 2015
    Eastwood D, 2015, Mirror Study I & II, Drawing Now, ADspace, 91É«Ç鯬 Art & Design, 02 March 2015 - 06 March 2015, medium: Ink on paper
    Creative Works (non-textual) | 2015
    Eastwood D, 2015, Shift, Salon, Robin Gibson Gallery, 278 Liverpool Street Darlinghurst NSW 2010 Australia, 12 September 2015 - 30 September 2015, medium: Acrylic on transparent gesso on board, at: http://robingibson.net/exhibitions/salon
    Creative Works (non-textual) | 2015
    Fish AR, 2015, Mirror, Well Red, Robin Gibson Gallery, 278 Liverpool Street Darlinghurst NSW 2010 Australia, 27 June 2015 - 22 July 2015, medium: oil and enamel on polyester
    Conference Presentations | 2014
    Eastwood D; Thomas P, 2014, 'What Constitutes a Contemporary Transdisciplinary Artist’s Studio?', presented at ACUADS Conference 2014: The Future of the Discipline, Victorian College of the Arts and RMIT University, Melbourne, 02 October 2014 - 03 October 2014
    Conference Papers | 2014
    Eastwood D, 2014, 'The Studio as Cloud', in The Studio as Cloud, The Third International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Pera Museum, Istanbul, Turkey, presented at The Third International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Pera Museum, Istanbul, Turkey, 26 June 2014 - 28 June 2014,
    Conference Presentations | 2014
    Thomas PR; Eastwood D, 2014, 'What constitutes a contemporary transdisciplinary artist studio?', presented at Australian Council of University Art and Design Schools conference, The Future of the Discipline, 02 October 2014 - 03 October 2014
    Creative Works (non-textual) | 2013
    Eastwood D; Muecke S; Gibson P; Ireland A; Haley R; Pailthorpe B; Drinkall J, 2013, The Carpentry of Speculative Things: An Art Experiment, Alaska Projects, Sydney, 02 July 2013 - 07 July 2013
    Creative Written Works | 2013
    Eastwood D, 2013, Speculative Spaces, Artist Profile, Wolseley Media Pty. Ltd.,
    Conference Papers | 2013
    Eastwood D, 2013, 'The Function of the Posthumous Studio', in The Function of the Posthumous Studio, ACUADS CONFERENCE 2013, Locations of Practice, Sites for Creativity: From the Studio to the Cloud, University of New South Wales, University of Sydney, National Art School, presented at ACUADS CONFERENCE 2013, Locations of Practice, Sites for Creativity: From the Studio to the Cloud, University of New South Wales, University of Sydney, National Art School, 25 September 2013 - 27 September 2013,
    Creative Works (non-textual) | 2013
    Eastwood D, 2013, Presence and Absence, Presence and Absence, Wollongong Art Gallery, Wollongong, 07 December 2013 - 23 February 2014, medium: Painting and mixed media
    Creative Works (non-textual) | 2013
    Eastwood D, 2013, Pseudo Studio, Robin Gibson Gallery, Sydney, 05 October 2013 - 30 October 2013, at: http://robingibson.net/exhibitions/david-eastwood
    Curatorial Outputs | 2013
    Eastwood D, 2013, Speculative Spaces, exhibited at: Robin Gibson Gallery; 278 Liverpool Street Darlinghurst NSW 2010, 02 March 2013 - 26 March 2013, Speculative Spaces,
    Conference Papers | 2012
    Eastwood D, 2012, 'Contaminated Immersion: Art and the Space Between', in Interference: Strategies for Art, Transdisciplinary Imaging Conference 2012, Sydney, pp. 119 - 128, presented at The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, Victorian College of the Arts, Melbourne, VIC, 22 June 2012 - 23 June 2012,
    Creative Works (non-textual) | 2012
    Eastwood D, 2012, Pink Frost, Redlands Westpac Art Prize, National Art School Gallery; Darlinghurst NSW, 03 May 2012 - 02 August 2012, medium: acrylic on linen, 183 x 183 cm, at: http://www.redlands.nsw.edu.au/go/redlands-community/redlands-konica-minolta-art-prize/2012-art-prize
    Creative Works (non-textual) | 2011
    Eastwood D, 2011, Decoy Decor, Decoy Decor, Robin Gibson Gallery; 278 Liverpool Street, Darlinghurst NSW 2010, 17 September 2011 - 12 October 2011
    Creative Works (non-textual) | 2010
    Eastwood D, 2010, Kedumba Drawing Award, Kedumba Drawing Award 2010, Kedumba Gallery; Wentworth Falls, NSW, 31 October 2010 - 30 November 2010, at: http://kedumba.org.au/2010-kedumba-drawing-award/
    Creative Works (non-textual) | 2009
    Eastwood D, 2009, Ulterior/Interior, Ulterior/Interior, Robin Gibson Gallery; Darlinghurst, 07 November 2009 - 02 December 2009, at: http://robingibson.net/exhibitions/david-eastwood
    Creative Works (non-textual) | 2008
    Eastwood D, 2008, Gold Room, Metro 5 Art Award, Metro 5 Gallery; 1214 High St Armadale VIC 3143, 10 June 2008 - 06 July 2008, at: http://www.davideastwood.com.au/
    Creative Works (non-textual) | 2008
    Eastwood D, 2008, Hiding All Away, The Noise of Carpet, Weave, Left, The Young Ones, Robin Gibson Gallery; 278 Liverpool Street Darlinghurst, 06 December 2008 - 20 December 2008, at: http://robingibson.net/exhibitions/the-young-ones-exhibition
    Creative Works (non-textual) | 2007
    Eastwood D, 2007, Mise en scène, Mise en scène, Robin Gibson Gallery; 278 Liverpool Street Darlinghurst NSW 2010, 17 November 2007 - 12 December 2007, at: http://www.robingibson.net/
    Theses / Dissertations | 1999
    Eastwood D, 1999, The hyperreal surface

2008-09ÌýÌý ÌýVisual Arts Board Skills and Arts Development Grant: Paris studio residency (three months), Australia Council Studio, Cité Internationale des Arts, Paris

2021Ìý Ìý Highly Commended, Hazelhurst Art Award: Art on Paper
2019ÌýÌý ÌýDean’s Award for Excellence in Higher Degree Research, 91É«Ç鯬 Art & Design
2019Ìý Ìý Dean’s Award for Outstanding PhD Thesis, Graduate Research School, 91É«Ç鯬
2013-2017ÌýÌý ÌýUniversity Postgraduate Award, 91É«Ç鯬 (Scholarship)
2013-2017ÌýÌý Ìý91É«Ç鯬 Research Excellence Award (Scholarship)
2010ÌýÌý ÌýKedumba Drawing Award
2008-09ÌýÌý ÌýVisual Arts Board Skills and Arts Development Grant: Paris studio residency (three months), Australia Council Studio, Cité Internationale des Arts, Paris
2003ÌýÌý ÌýViewers’ Choice Award, Redlands Westpac Art Prize
2001ÌýÌý ÌýCommended, Brett Whiteley Travelling Art Scholarship
2000ÌýÌý ÌýWinner, Lloyd Rees Memorial Youth Art Award
1998ÌýÌý ÌýWilloughby City Art Prize People’s Choice Award
1998ÌýÌý ÌýHighly Commended, Lloyd Rees Memorial Youth Art Award
1998ÌýÌý ÌýThree month studio residency, 91É«Ç鯬 studio, ÌýCité Internationale des Arts, Paris
1997-99ÌýÌý ÌýAustralian Postgraduate Award (Scholarship)
1997ÌýÌý ÌýUniversity Medal, University of New South Wales
1997 Ìý ÌýFirst Prize, 91É«Ç鯬 Union Art Competition

Solo Exhibitions

2023ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý False Monuments, Robin Gibson Gallery, Sydney

2021ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Artificial Artefacts, Robin Gibson Gallery, Sydney

2019ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Vue d’atelier, Robin Gibson Gallery, Sydney

2018ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Posthumous Studio, 91É«Ç鯬 Galleries, Sydney

2016ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Atemporal Mirror, Robin Gibson Gallery, Sydney

2013 ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Pseudo Studio, Robin Gibson Gallery, Sydney

2011 ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Decoy Décor, Robin Gibson Gallery, Sydney

2011 ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Showroom, Australian Institute of Architects, Sydney

2009ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Ulterior/Interior, Robin Gibson Gallery, Sydney

2007ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Mise en scène, Robin Gibson Gallery, Sydney

2005ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Marks, Robin Gibson Gallery, Sydney

2003ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Split, Robin Gibson Gallery, Sydney

2001ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Crumple, Robin Gibson Gallery, Sydney

1999ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Tilt, Robin Gibson Gallery, Sydney

1999ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý COFA Exhibition Space, Sydney

Ìý

Selected Group Exhibitions

2024ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Salon Des Refuses, S.H. Ervin Gallery, Sydney and The David Roche Foundation, Adelaide

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Sir John Sulman Prize, Art Gallery of New South Wales, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Salon, Robin Gibson Gallery, Sydney.

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The King’s School Art Prize, The King’s School, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Fabrication, Draw Space, Sydney

2023Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýÌýHazelhurst Art Award: Art on Paper, Hazelhurst Regional Gallery & Arts Centre, Gymea

Adelaide Perry Prize for Drawing, Adelaide Perry Gallery, Croydon, Sydney

2022Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýÌýJacaranda Acquisitive Drawing Award, Grafton Regional Gallery, NSW (touring)

Adelaide Perry Prize for Drawing, Adelaide Perry Gallery, Croydon, Sydney

Hazelhurst Art Award: Art on Paper, Hazelhurst Regional Gallery & Arts Centre, Gymea

2020ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Love in the time of COVID-19, Art Gallery of South Australia, Adelaide.

2019ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Drawing Show, Robin Gibson Gallery, Sydney

New Now, Robin Gibson Gallery, Sydney

2017ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý A Working Model of the World, 91É«Ç鯬 Galleries, Sydney, and Sheila C. Johnson Design Center, Parsons School of Design, The New School, New York. Curated by Dr Lizzie Muller and Holly Williams.

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý 9 Hours Underground, Sydney opera House Cave, Sydney. Curated by Kate Smith.

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Re-Launch, ADspace, Sydney

2016ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Small World | Small Wonders, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Wall to Wall, Robin Gibson Gallery, Sydney

2015ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Salon, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Well Red, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Drawing Now, ADspace, Sydney

2014ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý (Small) Gems, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Monochrome, Sheffer Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý For Lease: Reinterpreting Place, Breezeblock, Sydney. Curated by Chloe Wolifson.

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Democracy of Drawing, Airspace Projects, Marrickville, Sydney

2013ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Presence and Absence, Wollongong Art Gallery, Wollongong. Curated by Michael Beare.

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Drawing Now, Ivan Dougherty Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Carpentry of Speculative Things, Alaska Projects, Sydney. Curated by Prue Gibson.

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Speculative Spaces, Robin Gibson Gallery, Sydney

2012ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Height x Width, Sheffer Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Cut & Paste, Robin Gibson Gallery, SydneyÌýÌýÌýÌý

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Redlands Westpac Art Prize, National Art School Gallery, Sydney

2011ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Paper Trail, Robin Gibson Gallery, Sydney

2010ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Kedumba Drawing Award, Kedumba Gallery, Wentworth Falls, NSW

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Untitled, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Metro Art Award, Metro Gallery, Melbourne

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Still Life Treasures, Robin Gibson Gallery, Sydney

2009ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Small is the New Big, Robin Gibson Gallery, Sydney

2008Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýÌýDrawcard, The National Art School Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Metro 5 Art Award, Metro 5 Gallery, Melbourne and Benalla Regional Art Gallery, Victoria

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Young Ones, Robin Gibson Gallery, Sydney

2007ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Metro 5 Art Award, Metro 5 Gallery, Melbourne and Benalla Regional Art Gallery, Victoria

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Adelaide Perry Prize for Drawing, Adelaide Perry Gallery, Croydon, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Hazelhurst Art Award: Art on Paper, Hazelhurst Regional Gallery & Arts Centre, Gymea, NSW

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Christmas Show, Robin Gibson Gallery, Sydney

2006ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Praxis, Kudos Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Adelaide Perry Prize for Drawing, Adelaide Perry Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Swan Hill Print and Drawing Acquisitive Awards, Swan Hill Regional Art Gallery, Victoria

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Visions of a Municipality 2: The Second Exhibition of Lane Cove’s Art Treasures, Lane Cove Council, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý ABN AMRO Emerging Artist Award, ABN AMRO Tower, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Three, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Shelf Life, The Delmar Gallery, Ashfield, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Summery Christmas Show, Robin Gibson Gallery, Sydney

2005Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýÌýPraxis, Kudos Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Hazelhurst Art Award: Art on Paper, Hazelhurst Regional Gallery & Arts Centre, Gymea, NSW

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Dobell Drawing Prize, Art Gallery of New South Wales, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Robert Jacks Drawing Prize, Bendigo Art Gallery, Victoria

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Year In Art, S.H. Ervin Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Alumni Prize, Kudos Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý From the Stockroom, Robin Gibson Gallery, Sydney

2004ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Willoughby City Art Prize, Willoughby Civic Centre, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Brett Whiteley Travelling Art Scholarship, Brett Whiteley Studio, Sydney

2003ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Praxis, Kudos Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Destination Drawing, COFA Exhibition Space, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Redlands Westpac Art Prize, Mosman Art Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Still Life, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Year in Art, S.H. Ervin Gallery, Sydney

2002ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Paris Days: The 91É«Ç鯬 Studio in Paris, Ivan Dougherty Gallery, Sydney

2001ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Praxis, Kudos Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Preview, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Alumni on Paper, Kudos Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Context, Kudos Gallery, Sydney and Watt Space Gallery, Newcastle, Australia

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Brett Whiteley Travelling Art Scholarship, Brett Whiteley Studio, Sydney

2000ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The First Show of the Last Year of the Millennium, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Praxis, Kudos Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Postcard Show, Linden Arts Centre and Gallery, Melbourne

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý An Appointment with Reality, Sir Hermann Black Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Lloyd Rees Memorial Youth Art Award, Lane Cove Council Cove Room, Sydney and Atrium Gallery, ABC Ultimo Centre, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The Art of Drawing, Robin Gibson Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Brett Whiteley Travelling Art Scholarship, Brett Whiteley Studio, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Selected Works by Gallery Artists, Robin Gibson Gallery, Sydney

1999ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý 50th Anniversary Mosman Art Prize, Mosman Art Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý The King’s School Art Prize, The King’s School, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Willoughby City Art Prize, Willoughby Civic Centre, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý MFA Graduates, Ivan Dougherty Gallery, Sydney

1998ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Uncommon Masters, COFA Exhibition Space, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Willoughby City Art Prize, Willoughby Civic Centre, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Lloyd Rees Memorial Youth Art Award, Lane Cove Council Cove Room, Sydney

1997ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Six Recent Graduates, Crawford Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Jenny Birt Award, College of Fine Arts, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Hatched: Healthway National Graduate Show, Perth Institute of Contemporary Arts, Perth, Australia

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý 91É«Ç鯬 Union Art Competition, University of New South Wales, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý National Tertiary Art Prize, Watt Space Gallery, Newcastle, Australia

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Royal Over-Seas League 14th Annual Open Exhibition, Over-Seas House, London and Edinburgh College of Art, Scotland

1996ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Salon Des Refuses, S.H. Ervin Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Eight is Enough, College of Fine Arts Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý New Portraiture, College of Fine Arts Gallery, Sydney

ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Lloyd Rees Memorial Youth Art Award, Lane Cove Council Cove Room, Sydney and Atrium Gallery, ABC Ultimo Centre, Sydney

Ìý

CURATORIAL PROJECTS

Speculative Spaces, Robin Gibson Gallery, Sydney, 2-26 March 2013.

Speculative Spaces examined the spatial and pictorial investigations of artists working with dioramas and maquettes, fabricated at tabletop scale and subsequently mediated through imaging techniques such as drawing, painting, photography, video, or a combination of these. The exhibition was curated for Robin Gibson Gallery as part of Art Month Sydney 2013.

My Research Supervision

  • Emma Pinsent, Porous material afterlives of the intertidal zone, PhD candidate, 91É«Ç鯬 (Primary Supervisor, with Secondary Supervisor Dr Bianca Hester)
  • Megan Rose,ÌýHold Me: A post-qualitative study of the interplay between cuteness and the uncanny in artificial companion design, PhD candidate, Centre for Social Research in Health, 91É«Ç鯬, (Joint Supervisor with Prof Deborah Lupton)
  • Kristy Gordon,ÌýSlow Marks and Drift: Repetition, Flow and Resonance in Slow Art Practice (Secondary Supervisor, with Primary Supervisor A/Prof Emma Robertson)
  • Joel Arthur, How can contemporary painting subvert modernist pictorial languages as a response to the colonial histories within Sydney's urban parks and gardens?, MFA candidate, 91É«Ç鯬 (Primary Supervisor, with Joint Supervisor Peter Sharp)
  • Sadhbha Cockburn, Mourning the more-than-human: performative, sculptural place-making as posthuman grief, PhD candidate, 91É«Ç鯬 (Primary Supervisor, with Joint SupervisorsÌýDr Bianca Hester and Dr Prue Gibson)