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Dr Clare Milledge

Dr Clare Milledge

Senior Lecturer

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2007-2013

Doctor of Philosophy, The Artist Shaman and 鈥渢he Gift-of-Sight鈥, Sydney College of the Arts, The University of Sydney, Sydney听听

Supervisors:听Associate Professor Ann Elias and Matthys Gerber

2008 PhD candidate, Sydney College of the Arts, The University of Sydney/ Universit盲t der K眉nste, Berlin听

Supervisors: Associate Professor Ann Elias and Matthys Gerber/Lothar Baumgarten

2006

Bachelor of Visual Arts (Painting), Honours 1, Sydney College of the Arts, The University of Sydney, Sydney and Statens Kunst Akademi, Oslo听

Supervisors: Matthys Gerber and Gunter Reski

2004-2005

Bachelor of Visual Arts (Painting), Sydney College of the Arts, The University of Sydney, Sydney

1999

Bachelor of Visual Arts (Foundation), The College of Fine Arts, The University of New South Wales, Sydney

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Arts, Design & Architecture (ADA)
School of Art & Design

Dr Clare Milledge (b 1977) is a Senior Lecturer and artist, she lives and works in Warrang/Sydney Cove (AU) on unceded Bidjigal and Gadigal Country.

Distinguished for her hinterglasmalerei paintings鈥攁 reverse-glass technique rooted in Byzantine traditions鈥擬illedge engages abstraction, fragmentation, and encryption, creating text-based, geometric and figurative paintings and installations. Using adapted fieldwork methodologies she draws upon and reimagines contemporary environments, cultivating a polymorphic visual language that unsettles conventional structures of knowledge within a shared material lexicon.

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E-mail
c.milledge@unsw.edu.au
  • Edited Books | 2025
    Milledge C; Dane I, (ed.), 2025, close reader: complex notophyll vine forest, Lismore Regional Gallery
  • Journal articles | 2021
    Milledge C, 2021, 'WORKING WITH TRADITION: CLARE MILLEDGE鈥橲 REVERSE GLASS PAINTINGS', NGV Magazine,
  • Creative Works (non-textual) | 2026
    Milledge C, 2026, ear erb: eton & ear erb: cl铆ce, Knowing Otherwise, Monash University Museum of Art, 07 February 2026 - 02 April 2026, medium: painting and installation, at: https://www.monash.edu/muma/exhibitions/current/c/knowing-otherwise
    Creative Written Works | 2025
    Milledge C; Dane I; Lorange A; Brooks A; Tubbs M; Allas T; Melick TF; Ralph AB, 2025, close reader: complex notophyll vine forest, Milledge C; Dane I, (ed.), Lismore Regional Gallery,
    Creative Works (non-textual) | 2025
    Milledge C; McDonald S, 2025, Ethnobotanical Ceramics: Logjam and Hotface, complex notophyll vine forest: ground proof, Lismore Regional Gallery, 28 November 2025 - 15 March 2026, medium: Ceramic, at: https://lismoregallery.org/exhibitions/complex-notophyll-vine-forest-ground-proof
    Creative Works (non-textual) | 2025
    Milledge C, 2025, complex notophyll vine forest: ground proof, complex notophyll vine forest: ground proof, Lismore Regional Gallery, 29 November 2025 - 15 March 2026, at: https://lismoregallery.org/exhibitions/complex-notophyll-vine-forest-ground-proof
    Creative Works (non-textual) | 2025
    Milledge C, 2025, the summer milking place and the vanishing lake, Sydney Contemporary Art Fair, Carriageworks, Sydney, 11 April 2025 - 14 April 2025, at: https://stationgallery.com/exhibition/sydney-contemporary-2025/?srsltid=AfmBOopd7IaEKi7LR_G6x73ZPjuIJ3s_m7dMsmnd7Qs2fmPM3IX3Fujg
    Creative Works (non-textual) | 2024
    Milledge C, 2024, bramble-hound, heron-wound: two stone wolves, bramble-hound, heron-wound: two stone wolves, STATION Melbourne, 20 July 2024 - 24 August 2024, at: https://stationgallery.com/exhibition/bramble-hound-heron-wound-two-stone-wolves/?srsltid=AfmBOopJvDGyzxoa6UNjQfC0-azzdfhHGIYq83-_iMe5FTBvTIPk8Pd5
    Theses / Dissertations | 2023
    Bailey-Charteris B, 2023, The Hydrocene: Curatorial theory of the confluence of art, water and the climate crisis in eco-aesthetics, 91色情片,
    Creative Works (non-textual) | 2023
    Milledge C, 2023, 滨尘产谩蝉: a well at the bottom of the sea (IMA iteration), Maluw Adhil Urngu Padanu Mamuy Moesik (Legends from the deep sitting peacefully on the waters) Selected works from the 23rd Biennale of Sydney: r墨vus, Institute of Modern Art, 28 January 2023 - 28 April 2023, at: https://www.ima.org.au/exhibitions/maluw-adhil-urngu-padanu-mamuy-moesik-legends-from-the-deep-sitting-peacefully-on-the-waters/
    Creative Written Works | 2022
    Milledge C, 2022, 滨尘产谩蝉, r墨vus a glossary of water, Roca J; Salazar JF, (ed.), Biennale of Sydney,
    Creative Works (non-textual) | 2022
    Milledge C, 2022, Eidothea: immortal clones of the perlite deposits, Still Life, Buxton Contemporary, 02 June 2022 - 06 November 2022, at: https://buxtoncontemporary.com/exhibitions/still-life/
    Creative Works (non-textual) | 2022
    Milledge C, 2022, 滨尘产谩蝉: a well at the bottom of the sea, Biennale of Sydney r墨vus, Pier 2/3 Walsh Bay Hicksons Rd, 12 March 2022 - 13 May 2022, at: https://www.biennaleofsydney.art/
    Creative Works (non-textual) | 2021
    Milledge C, 2021, Dychymyg Dychymyg: Tree Alphabet, Dychymyg Dychymyg: Tree Alphabet, STATION gallery, Melbourne, 03 April 2021 - 01 May 2021, at: https://stationgallery.com.au/exhibitions/clare-milledge-2021
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Eidothea: Immortal Clones of the Perlite Deposits (Nightcap), Wakeful Consciousness, Disclaimer Journal, 01 November 2020 - 01 January 2021, medium: Poem on webpage, at: https://disclaimer.org.au/contents/from-wakefulness-to-consciousness/eidothea-immortal-clones-of-the-perlite-deposits-nightcap
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Eidothea: Immortal Clones of the Perlite Deposits, The Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition (Established), Sydney College of the Arts Gallery, Old Teachers College, Manning Road, Camperdown NSW 2006, 02 October 2020 - 13 November 2020, medium: Oil on stained glass, found tree parts,, at: https://www.sydney.edu.au/news-opinion/news/2020/10/02/fauvette-loureiro-memorial-scholarships.html
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Little shrike-thrush calling in the gully: in praise of shadows, LOVE(f)ART:#02 IN ISO, LOVEART, 61 Ocean St Woollahra NSW 2025, 09 September 2020 - 27 October 2020, medium: oil on toughened glass, lead, galvanised steel wire 47.5 x 46 cm five parts each, at: https://www.loveart.com/lovefart
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Police Camp: Passive Recreation Area, Police Camp: Passive Recreation Area, STATION, Suite 201, 20 Bayswater Road Potts Point, New South Wales 2011, 11 April 2020 - 09 May 2020, medium: 9 oil paintings on toughened glass with recycled hardwood frames, 2 acrylic paintings on walls., at: http://stationgallery.com.au/exhibitions/clare-milledge-2020
    Creative Works (non-textual) | 2020
    Milledge C, 2020, Sacks of Wind: A Rock Harder Than Rock, NGV Triennial, National Gallery of Victoria, 19 December 2020 - 18 April 2021, medium: Oil on toughened glass, bronze, steel., at: https://www.ngv.vic.gov.au/exhibition/triennial-2020/
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Art as Fieldwork: Hot Spell on the Way, Second Sight: Witchcraft, Ritual, Power, University of Queensland Art Museum, 01 March 2019 - 29 June 2019, medium: Painting, installation, sound performance, at: https://art-museum.uq.edu.au/second-sight-witchcraft-ritual-power
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Cosmic Downloads: Institutional Agility and Moon Drawing Down, Ruler, rete, Arndt Art Agency, Fasenenstra脽e 28, Berlin 10719 Berlin, 26 April 2019 - 12 May 2019, medium: Oil on glass, bronze, at: https://stationgallery.com.au/exhibitions/ruler-rete
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Lunar Declension, Idle Worship, Lismore Regional Gallery, Australia, 17 August 2019 - 13 October 2019, medium: oil on glass, at: https://www.lismoregallery.org/cp_themes/default/page.asp?p=DOC-KBA-52-46-27#.XdM0BDIzagQ
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Pleasure Plants, Pleasure Plants, STATION, Sydney, 11 September 2019 - 26 October 2019, at: https://stationgallery.com.au/exhibitions/pleasure-plants
    Creative Works (non-textual) | 2019
    Milledge C, 2019, Stations Direct and Xanthos Retrograde, Sydney Contemporary, Carriageworks, Sydney, Australia, 11 September 2019 - 15 September 2019, medium: oil on glass, recycled Australian hardwood, at: https://sydneycontemporary.com.au/program-sectors19/
    Creative Works (non-textual) | 2018
    Milledge C, 2018, Sacks of wind: a rock harder than rock, Sacks of wind: a rock harder than rock, STATION gallery, Melbourne, 24 November 2018 - 22 December 2018, medium: Oil on glass, bronze, steel, at: http://stationgallery.com.au/exhibitions/milledge-2018#3583
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Antipodean Field Survey: Vertebrate calls Glenorchy, NZ and Oslo, NO 1.2.17 - 7.2.17, What Remains, Fotogalleriet, Oslo, Norway, 09 February 2017 - 19 March 2017, medium: acrylic on glass gallery windows, at: http://www.fotogalleriet.no/en/exhibitions/what-remains-exh
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Strigiformes: Binocular, Binaural I, Hot Pocket, Museet for Samtidskunst, Nasjonalmuseet, Oslo, 01 June 2017 - 01 June 2017, medium: Sound, performance, props, at: http://www.nasjonalmuseet.no/en/exhibitions_and_events/exhibitions/museum_of_contemporary_art/Tori+Wr%C3%A5nes.+Hot+Pocket.b7C_wBzM5g.ips
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Strigiformes: Binocular, Binaural II, Remedial Works, Perth Institute of Contemporary Arts, 11 November 2017 - 24 December 2017, at: http://pica.org.au/show/remedial-works/
    Creative Works (non-textual) | 2017
    Milledge C, 2017, Ton Sur Ton; Rice Ambient Liquid Lens Soap, Crusted Heat, The Commercial Gallery, Redfern, 01 July 2017 - 29 July 2017, medium: Oil on glass, bronze, at: https://thecommercialgallery.com/artist/clare-milledge/exhibition/817/crusted-heat-christmann-ghaemi-milledge-perry
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Adelaide Biennial of Australian Art: Magic Object, Adelaide Biennial of Australian Art: Magic Object, Samstag Museum of Art, Adelaide, Australia, 27 February 2016 - 15 May 2016, at: http://adelaidebiennial.com.au/2016/artist/clare-milledge/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Arkhipovian Vessel, 顿盲尘尘别谤蝉肠丑濒补蹿, Artspace, Sydney, 28 January 2016 - 28 February 2016, medium: oil on glass, at: https://www.artspace.org.au/program/exhibitions/2016/daemmerschlaf/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Auckland Art Fair, Auckland Art Fair, The Cloud, Auckland, NZ, 25 May 2016 - 29 May 2016, at: http://www.thecommercialgallery.com/exhibition/auckland-art-fair-group-show-a5/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, 顿盲尘尘别谤蝉肠丑濒补蹿, 顿盲尘尘别谤蝉肠丑濒补蹿, Artspace, 28 January 2016 - 28 February 2016, at: https://www.artspace.org.au/program/exhibitions/2016/daemmerschlaf/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, If you were a bread; if you were a coin; if you were a ninja; if you were a swing bridge, Sunday Punch, Sydney College of the Arts, 07 February 2016 - 07 February 2016, medium: pvc conduit, copper, silk, artists' beercaps, hessian, plastic fabric, cotton, hemp rope, bronze shackles, dried mandarin peel from a year looking at the sea, air dimensions variable, at: http://www.sundaypunch.com.au/#/clare-milledge/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Neverwhere/Erewhon, Neverwhere/Erewhon, Gaia Gallery (Istanbul), Margaret Lawrence Gallery (Melbourne), Horsham Regional Art Gallery (VIC), Warrnambool Art Gallery (VIC), Benalla Art Gallery (VIC), Latrobe Regional Gallery (VIC), 02 September 2016 - 11 March 2018, at: http://vca.unimelb.edu.au/engage/margaret-lawrence-gallery/untitled-curated-by-vikki-mcinnes
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self Reflexive Critique: Alpha Mu, The Mnemonic Mirror, UTS Gallery, Sydney, Australia, 10 May 2016 - 01 July 2016, medium: Acrylic on glass window in situ, at: http://art.uts.edu.au/index.php/exhibitions/the-mnemonic-mirror/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self Reflexive Critique: Iota, The Mnemonic Mirror, Griffith University Art Gallery, Brisbane, Australia, 10 May 2016 - 01 July 2016, medium: oil on glass, textiles, bronze, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self-Reflexive Critique: Abecedary (Melb), Gesture Manifest, Blindside Gallery, Melbourne, 20 July 2016 - 30 August 2016, medium: Acrylic on wall, at: http://www.liquidarchitecture.org.au/program/gesture-manifest/
    Creative Works (non-textual) | 2016
    Milledge C, 2016, Self-Reflexive Critique: Alpha Lamda (Byron Bay), The Mnemonic Mirror, Griffith University Art Gallery, Brisbane, 08 December 2016 - 11 March 2017, medium: acrylic on glass window in situ, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, The Mnemonic Mirror, The Mnemonic Mirror, Griffith University Art Gallery (Brisbane), 08 December 2016 - 11 March 2017, medium: Acrylic on glass, oil on glass, bronze, paint rags, hand-dyed and painted hessian, recycled packaging, at: https://www.griffith.edu.au/art-museum/whats-on/past-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2016
    Milledge C, 2016, War Memorial (VIC), The Mnemonic Mirror, Griffith University Art Gallery, 08 December 2016 - 11 March 2016, medium: oil on glass, textiles, bronze, at: https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/exhibition-program/2016-exhibitions/mnemonic-mirror
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Academic Suspicions: Staging a Hermeneutics of Incommensurability, The Fauvette Loureiro Travelling Art Scholarship Finalists Exhibition, Sydney College of the Arts Galleries, Sydney, 01 August 2015 - 30 October 2015, at: http://www.claremilledge.com/academic-suspicions-staging-a-hermeneutics
    Other | 2015
    Milledge C, 2015, ArtsNSW Professional Development funding 鈥 Artist Support, ,
    Other | 2015
    Milledge C, 2015, Artspace 1 year studio residency,
    Other | 2015
    Milledge C, 2015, Australian Artist's Grant - NAVA,
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Behavioral Modernity, Behavioural Modernity, MuseumsQuartier, Vienna, Austria, 30 May 2015 - 31 July 2015, at: https://www.facebook.com/events/796218167127367/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Declaration and Submission, Fantasia Atmospheres (Grottoesque), Theoretical Headspeople, The Bright Future of a Headless Lettuce, Sydney Contemporary Art Fair, Carriageworks, Sydney, 10 September 2015 - 13 September 2015, medium: Oil on toughened glass, textiles, bronze, at: http://www.thecommercialgallery.com/exhibition/sydney-contemporary-group-show-a01/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Naughty Books, Writing Art, Artspace, Sydney, Australia, 25 June 2015 - 16 July 2015, medium: Oil on tempered glass, wood, at: http://www.artspace.org.au/program/ideas-platform/2015/writing-art-scott-donovan/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Neverwhere, Neverwhere, Gaia Gallery, Istanbul, Turkey, 14 August 2015 - 12 September 2015, at: http://asialink.unimelb.edu.au/arts/commissions-and-projects/current-commissions/neverwhere
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Paleo-Everything, Casual Conversation, Minerva, Sydney, Australia, 27 June 2015 - 08 August 2015, at: http://www.minervasydney.com/#casual-conversation
    Creative Works (non-textual) | 2015
    Milledge C, 2015, TPOLR, TPOLR, The Commercial Gallery, Sydney, Australia, 12 June 2015 - 04 July 2015, at: http://www.thecommercialgallery.com/exhibition/tpolr-cairns-gothe-snape-milledge-pulie-teague/
    Creative Works (non-textual) | 2015
    Milledge C, 2015, Thurifer's Cloak, Horse Blanket, Pestilent Unground; Epidemic Openness, Station Gallery, Melbourne, Australia, 26 September 2015 - 17 October 2015, medium: Oil on toughened glass, textiles, bronze, at: http://stationgallery.com.au/exhibitions/pestilent-unground-epidemic-openness
    Other | 2015
    Milledge C (ed.), 2015, ArtStart,
    Creative Works (non-textual) | 2014
    Milledge C; Lorange A; Hinterding J, 2014, Psychomagic: Dead Matters, Psychomagic: Dead Matters, 55 Sydenham Rd. Sydney, Australia, 19 September 2014 - 05 October 2014, at: http://www.55sydenhamrd.com/psychomagic-deadmatters
    Creative Works (non-textual) | 2014
    Milledge C, 2014, (in which Wickham plays the role of Ensnared Flyman and Milledge that of the Chelonian Pedometer), A Temporary Wriggle, Firstdraft, Sydney, 19 November 2014 - 12 December 2014, at: http://atemporarywriggle.com/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Altus Duel: Total Environment, Altus Duel: Total Environment, Gertrude Contemporary, Melbourne, Australia, 31 January 2014 - 01 March 2014, at: http://www.gertrude.org.au/exhibitions/gallery-11/past-14/altus-duel--total-environment.phps
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Anthropocene Solar Anus, OUI we, The Commercial Gallery, Sydney, 24 January 2014 - 08 March 2014, medium: oil on tempered glass, at: http://www.thecommercialgallery.com/exhibition/oui-we/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Discover Real Hope for the Future, Texit, ICAN, Sydney, 11 December 2014 - 03 January 2015, medium: oil on tempered glass, tempered mirror, hessian, frame, at: https://icanart.wordpress.com/2014/12/08/dec-2014-texit/
    Creative Works (non-textual) | 2014
    Milledge C, 2014, One and Three Narcissi, BLACKMODULAR, Haines and Hinterding House, Lawson, Blue Mountains, 22 June 2014 - 22 June 2014, at: http://www.modernartprojects.org/
    Curatorial Outputs | 2014
    Milledge C, 2014, Psychomagic: Dead Matters, exhibited at: 55 Sydenham Rd, Sydney, 19 September 2014 - 05 October 2014, Psychomagic: Dead Matters,
    Creative Works (non-textual) | 2014
    Milledge C, 2014, Theoretical Regression: A Warm Sheen Against Received Ideas, Theoretical Regression: A Warm Sheen Against Received Ideas, The Commercial Gallery, Sydney, 24 October 2014 - 22 November 2014, at: http://www.claremilledge.com/9375/4580471/previously/theoretical-regression-a-warm-sheen-against-received
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Anthropocene Circle: Theory Theory, Anthropocene Circle: Theory Theory, Kalimanrawlins, Melbourne, 27 July 2013 - 31 August 2013, medium: oil on glass, at: http://www.claremilledge.com/anthropocene-circle-theory-theory
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Motivated Reasoning: Strategic, Tactical, Operational, Motivated Reasoning: Strategic, Tactical, Operational, The Commercial Gallery, Sydney, 22 March 2013 - 13 April 2013, medium: oil on glass, acrylic on walls, teak, mirror, at: http://www.thecommercialgallery.com/exhibition/motivated-reasoning-strategic-tactical-operational/
    Theses / Dissertations | 2013
    Milledge C, 2013, The Artist-Shaman and the Gift of Sight
    Creative Works (non-textual) | 2013
    Milledge C, 2013, Unstable Parts in an Unfriendly Place, Unstable Parts in an Unfriendly Place, ICAN, Sydney, 12 December 2013 - 22 December 2013, at: https://icanart.wordpress.com/2013/12/10/dec-2013-unstable-parts-in-an-unfriendly-place/
    Creative Works (non-textual) | 2013
    Milledge C, 2013, When Will the End Come?, The Sleeping and the Dead, Sarah Scout Presents, Melbourne, 14 March 2013 - 13 April 2013, at: http://www.sarahscoutpresents.com/web/the-sleeping-and-the-dead/
    Creative Works (non-textual) | 2012
    Milledge C, 2012, Maximalist Ritualist, Maximalist Ritualist, Australian Experimental Art Foundation, Adelaide, 20 April 2012 - 19 May 2012, at: http://www.claremilledge.com/maximalist-ritualist
    Creative Works (non-textual) | 2011
    Milledge C, 2011, Cave Art: Retarded Transcendence, Cave Art: Retarded Transcendence, Peloton, Sydney, 04 August 2011 - 27 August 2011, medium: Oil on glass, video, sculpture, at: http://www.claremilledge.com/cave-art-retarded-transcendence
    Creative Works (non-textual) | 2010
    Milledge C, 2010, Lord Owl, Lord Owl, ICAN, Sydney, 19 March 2010 - 10 April 2010

听

听Year听

Grant value听

Name听

Event body听

2024听

$22,779.80听

Arts Projects for Individuals and Groups (application supported by 91色情片 School Seed Funding)听

Creative Australia听

2024听

$7,433.00听

CreateNSW funding听

CreateNSW听

2021听

$50,000.00听

Arts Projects for Individuals and Groups听

Creative Australia听

2018听

$26,870.00听

Arts Projects for Individuals and Groups听

Creative Australia听

2017听

$5,000.00听

Artist Support Round 2听

ArtsNSW听

2017听

$16,180.00听

Arts Projects for Individuals and Groups听

Creative Australia听

2015听

$5,000.00听

Artist Support Round 1听

ArtsNSW听

2015听

$10,000.00听

ArtStart Grant听

Creative Australia听

2014听

$1,250.00听

NSW Artists鈥 Grant Scheme听

ArtsNSW听

2010听

$10,000.00听

New Work Grant for Emerging Visual Artists听

Creative Australia听

2007-2010听听

University Postgraduate Award, Sydney College of the Arts, The University of Sydney, Sydney

听

听

听

听

Significant exhibitions include: Knowing Otherwise, Monash University Museum of Art (2026); complex notophyll vine-forest: ground-proof, Lismore Regional Gallery (2025); From the Other Side, ACCA (2023); Living Patterns: Contemporary Australian Abstraction, QAGOMA (2023); Maluw Adhil Urngu Padanu Mamuy Moesik, IMA, Meanjin/Brisbane (2023); Still Life, Buxton Contemporary (2022); Second Sight: Witchcraft, Ritual, Power, UQ Art Museum (2019); Remedial Works, PICA (2017); Strigiformes: Binocular, Binaural, Museet for Samtidskunst, Nasjonalmuseet, Oslo, NO (2017); What Remains, Fotogalleriet, Oslo, NO (2017); and 顿盲尘尘别谤蝉肠丑濒补蹿, Artspace (2016).听

听

Milledge exhibited in the 23rd Biennale of Sydney: r墨vus (2022); the NGV Triennial (2020); and Magic Object, Adelaide Biennial of Australian Art (2016).听

听

She was a four-time finalist in the Fauvette Loureiro Travelling Art Scholarship (2016, 2017, 2020, 2023) and a three-time finalist in the Helen Lempriere Travelling Art Scholarship (2007, 2008, 2010). Her work is held in major collections including the NGV, Buxton Contemporary, Monash University Museum of Art, University of Melbourne, and Artbank.听

She has undertaken residencies at Carriageworks, Sydney (2021), Artspace, Sydney (2015),听 Cove Park, Scotland (2025).听

2024

Bronwyn Bailey-Charteris;听; pp.听105听鈥撎128

Manch谩n Magan;听s. catalogue essay

Misong Kim;听; Ocula in collaboration with Melbourne Art Foundation

Vanessa Francesca;听; Artshub

听

2023

Josephine Mead;听, Artguide, feature

ACCA,听, catalogue听


2022

Emma Pinsent;听; BAM, feature,听pp. 52听鈥撎55听

Anabelle Lacroix;听;听Art Monthly Australasia, feature,听pp. 72听鈥撎79

Biennale of Sydney,听听catalogue

Miriam Cosic,听听The Guardian Australia, March

听

2020

Tom Melick,听;听NGV Triennial, catalogue: Pt 2 Illuminations,听pp. 136听鈥撎149

听

2019

Amelia Wallin;听;听Artlink:听Local Colour;听Issue 39:1 | March 2019听pp. 30听鈥撎35

听

2018

Anna Dunnill,听, exhibition preview, Art Guide Australia, December 2018

Ned Reilly,听听Art + Australia, issue 3, (54.2): Unnaturalism, May 2018, pp. 54 鈥 63

听

2017

Anna Dunnill,听, exhibition review, Runway Experimental Arts

Andreas Breivik and Victoria Duffee, 鈥楥lare Milledge at the Museum for Contemporary Art鈥, performance review, Vi ser p氓 Kunst

鈥楽ymposium: Clare Milledge鈥, Museum, Issue 7: Factory

Mandy Campbell;听; The University of Sydney News

听

2016

Astrid Lorange,听, Blackbox Manifold, Issue 16

Astrid Lorange,听听exhibition text for听Skara Thynge: Travelling Stock Reserves, The Commercial Gallery, Sydney

Magic Object: Adelaide Biennial, exhibition catalogue

Molly McPhee;听;听exhibition catalogue for Erewhon

Vikki McInnes;听; exhibition catalogue for Erewhon

Marian Tubbs,听, Oberon, vol. 2, pp. 50 鈥 54

Craig Judd, 鈥楾his Thing鈥, catalogue essay, Magic Object: Adelaide Biennial听

Sebastian Goldspink, 鈥楨lements: The Shaman鈥, catalogue essay, Magic Object: Adelaide Biennial

Craig Judd, 鈥楾he Mnemonic Mirror鈥, Artlink, exhibition review, 3 June 2016

Jane Llewellyn;听; The Adelaide Review

听

2015

Tom Melick,听, unpublished text for听Behavioral Modernity, Vienna

Neha Kale,听,听Vault Magazine, July 2015, Issue 10, pp. 18听鈥撎19

听

2014

Tom Melick,听, exhibition text for听Theoretical Regression: A Warm Sheen Against Received Ideas, The Commercial Gallery, Sydney

Kyla McFarlane,听The Suppository of All Wisdom, Altus Duel: Total Environment, Gertrude Contemporary, Melbourne;听exhibition catalogue essay

听

2013

Isobel Parker Phillip, Clare Milledge, Motivated Reasoning: Strategic, Tactical, Operational, The Commercial Gallery, 22 March 鈥 13 April 2013, review, UN Projects, Issue 7.1 p. 19

听

2012

Catherine Bennetts-Cash,听Un-Acclimatised, exhibition catalogue, Monash University Museum of Art, Melbourne

听

2011

Margaret Farmer,听Bad Angle, review, Artlink Magazine, Vol. 31, #3 p. 89

Anne Ferran,听On Abjection and Love, exhibition catalogue for听The Stain, Verge Gallery, The University of Sydney, Sydney

The Helen Lempriere Travelling Art Scholarship, exhibition catalogue, Artspace, Sydney

听

2009

Ian Houston-Shadwell,听Art is not Epistemology, exhibition catalogue,听The Last Visible Dog, Grantpirrie, Sydney

Biljana Jancic, In The Manner Of Excess,听exhibition catalogue,听From the Scrapheap of False Metaphors and Other Draft Deceits,听Gallery 9, Sydney

听

2008

The Helen Lempriere Travelling Art Scholarship, exhibition catalogue, Artspace, Sydney

Alison Kubler,听As Black as Stone, exh. cat.听Neo Goth: Back in Black, University of Queensland Art Museum, Brisbane

听

2006

Verk/Work, exh. cat., Office of Contemporary Art Norway and Nordisk Kulturfond

My Research Supervision

Current

Benita Newberry Laylim (MFA) primary with secondary Di Baker Smith听

Elaine Su-Hui Chew (MFA) joint with Di Baker Smith

Remy Faint (MFA) secondary with primary Felicity Fenner

Fiona Macpherson (MFA) joint with Tim Gregory

Felix Cehak (PhD) joint with Dr Izabela Pluta, "Birdsong in the Australian Rainforest: Natural History in Contemporary Art Practice. How can the intersection of contemporary art and folk conservation practices communicate ecological knowledge, with a specific focus on the Albert's Lyrebird."

听

Previous Supervisions:

Anthea Caddy (PhD) secondary with primary Caleb Kelly

Aulia Ibrahim Yeru (PhD) joint with Associate Professor Felicity Fenner, "Bentang Sungai | Riverscape: Art听and听Ecology as听Spatial Practice."

Bronwyn Bailey-Charteris (PhD), secondary with Associate Professor Felicity Fenner, "The Hydrocene: Curatorial theory of the confluence of art, water and the climate crisis in eco-aesthetics."

Jacqui Driver (MFA), joint with Professor Jill Bennett, "The Mothering Thicket: Investigating the Impact of Trans-generational Trauma through Installation Based Print Practice."

Megan Hanson (MFA) joint with Debra Phillips, "鈥業' am not one: co-producing the nomadic subject at the intersection of art and fashion".

Genevieve Reynolds (MFA) joint with Dr Grant Stevens, "Godflesh: The Impact of Digital Image Technologies and Interfaces on Representations of Space in Contemporary Painting".

Min Wong (MFA) joint with Dr Grant Stevens, "Revisiting esoteric traditions and practices through contemporary sculptural practice".

Jana Hawkins-Andersen (MFA) joint with Dr Lindsay Kelley

Lisa Sammut (MFA) joint with Dr Tim Gregory

听