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 Zoe Theodore

Zoe Theodore

PhD Candidate
Arts, Design & Architecture
School of the Arts & Media

贰尘补颈濒:听z.theodore@unsw.edu.au

厂耻辫别谤惫颈蝉辞谤蝉:听Erin Brannigan, Rochelle Haley

Zoe Theodore is an independent curator, producer and writer based in Sydney. She regularly works directly with artists to realise new work for museums and galleries including the Art Gallery of New South Wales, Sydney, the Immigration Museum, Melbourne, and Monash University Museum of Art, Melbourne. Since 2021, she has been the Project Coordinator and an Associate Researcher on the ARC-supported Precarious Movements: Choreography and the Museum project. She is currently Co-Director of Firstdraft, Sydney (2022鈥�24), and has held professional roles at Anna Schwartz Gallery, Melbourne, Australian Centre for Contemporary Art, Melbourne, and MoMA PS1, New York.

Her doctoral research investigates the relationship between contemporary art, dance and the museum.

  • 鈥楾he Rite of Reply鈥�, with Amrita Hepi, Precarious Movements: Choreography and the Museum, National Gallery of Victoria Publishing, 2024 (forthcoming)
  • 鈥楥horeography as Archiving鈥�, Shelley Lasica: WHEN I AM NOT THERE, Monash University Publishing, 2022, pp. 101-121.
  • 鈥楾he beginning and end of Sofiyah Ruqayah鈥�, Firstdraft in conversations, 9 August 2022
  • 鈥楤ody Loss, Angela Goh鈥�, Performance Review, 24 April 2021
  • Introduction, The Design Plot, Perimeter Books, 2020, pp. 4-7.
  • Catalogue essay, SINK HOLE, an ongoing collaborative project between Jess Gall, Rebecca
  • Jensen and Arini Byng, Irene Rose Gallery, Brunswick, 2018
  • Curatorial essay, Lessons from Dancing, Bus Projects, 2018
  • Catalogue essay, Jacqui Shelton, It is Something Like Dancing, Metro Arts, 2018
  • Catalogue essay, I am a... , Bus Projects x Next Wave, 2018
  • 鈥業n conversation with Melanie Lane鈥�, Runway Issue #36, 2018
  • 鈥楻eview: SCUM BALLET鈥�, un Extended, 21 December, 2017
  • Editorial essay, Dissect Journal Issue 3, p. 8-11, 2017