91色情片

Research

Professor Paul Gladston and his team are dedicated to innovative critical research in the field of contemporary art and cultural studies.

91色情片 is a?top-ranked research-intensive university, holding?20th position globally in?the?QS World University Rankings.

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artwork by tan lijie

A top-ranked research-intensive university, 91色情片 holds the 20th position globally in QS World University Rankings.

The JNCCA Editions

The JNCCA Editions series publishes writing related to the work of the 91色情片 Judith Neilson Chair of Contemporary Art. Each edition in the series presents an existing/previously planned publication or combination of publications in a newly edited and/or expanded format both in hard copy and electronically. Some editions will be produced in collaboration with other publishers; some will include texts that have undergone independent scholarly peer review. Planned publications include catalogues accompanying exhibitions curated or supported by the Chair. All the editions have a dedicated ISBN number and contain English and corresponding Chinese texts. JNCCA editions aims to publish books whose content was not made public due to lack of funding, unforeseen events, or restrictions on freedom of critical expression.

All editions are available free of charge. Electronic versions can be downloaded directly from the corresponding accordion for each edition below.?Limited hard copies will be made available in due course on a first-come, first-served basis.

  • The first official edition in the series is a catalogue accompanying the major survey exhibition ‘2020 Ocean Flower Island International Art Exhibition – The Tides of the Century’ which was staged in 2020 at the Ocean Flower Island Museum, Danzhou City, Hainan Province, People’s Republic of China. The catalogue was not published at the time of the exhibition due to the impact of the COVID pandemic. It is published here for the first time in carefully edited form. The edition, which was edited by Professor Wang Chunchen of the Central Academy of Fine Arts, Beijing and Professor Paul Gladston, 91色情片 Judith Neilson Chair of Contemporary Art, contains several essays in English and Chinese including one by Paul Gladston, ‘Art in the Time of COVID-19: Poly/Cacophonous Contemporaneity and the Rolling back of Post-Cold War Globalisation.’ The edition is published in collaboration with Bauhinia Publication, PRC.
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  • This volume brings together in revised and extended form two exhibition catalogues previously published online: the first accompanying ‘Rain on the Platform — Tan Lijie, Selected Works’ at the National Cheng Kung University Art Center, Taiwan (2024); and the second ‘Enchanted Realities — Tan Lijie, Selected Works 2013-2022’ at the Salamanca Arts Centre/the SOCIAL, Hobart, Tasmania and the Barracks Gallery, Willow Court, New Norfolk, Tasmania (2023). The curators had included videos by Tan in two earlier group exhibitions: ‘Dis-/Continuing Traditions — Contemporary Video Art from China’ at the Salamanca Arts Centre (2021) and ‘New China/New Art — Contemporary Video from Shanghai and Hangzhou’ at the Djanogly Gallery, University of Nottingham UK (2015). As the two interrelated curatorial texts contained in this volume show, Tan’s work across a diverse range of media invokes intersecting resonances of aesthetic thought and feeling that not only traverse cultural boundaries between classical Chinese and contemporary Western/ized aesthetics but also, in doing so, perceived/intuited boundaries separating the everyday from transcendent ‘realities.’

    To explore more of Tan Lijie's work, you may also be interested in?the catalogue accompanying the exhibition 'Dis-/Continuing Traditions — Contemporary Video Art from China', Salamanca Arts Centre, Hobart (2021).?
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Book Series: Contemporary East Asian Value Cultures, Societies, and Politics

Electronic ISSN
2662-771X

Print ISSN
2662-7701

Series Editor
Paul Gladston,?Lynne Howarth-Gladston,?Chunchen Wang,?Soo-Min Shim,?Meiqin Wang,?Takako Itoh

About this book series

This series brings together diverse perspectives on present-day relationships between East Asian visual cultures, societies and politics. Its scope extends to visual cultures produced, disseminated and received/consumed in East Asia – comprising North and South Korea,?Mongolia, Japan, mainland China, Hong Kong, Macau, and Taiwan – as well as related diasporas world-wide, and to all aspects of culture expressed through visual images, including across perceived boundaries between high and popular culture and the use of traditional and contemporary media. Taken into critical account are cultural, social and political ecologies currently shaped by geopolitical borders across the East Asia region in addition to their varied intersections with an increasingly trans-cultural world. The series emphasizes the importance of visual cultures in the critical investigation of contemporary socio-political issues relating to, for example, identity, social inequality, decoloniality and the environment. The editors welcome contributions from early career and established researchers.

Book titles in this series

Tracing Environmental and Cohabitational Perspectives in Contemporary Chinese Art

Editors
Franziska Koch,?Nora W?lfing,?Cila Brosius

About this book
This book traces the intersections between the growing controversies revolving around the Anthropocene on the one hand, and artistic and curatorial practices situated in the Sinophone world on the other. Exploring the relevance and multiple relations of both concepts as mediated in specific aesthetic, visual, and performative practices, and affiliated understandings of the planetary, seven academic case studies, supplemented by four conversations with emergent and senior curators, map the “Sinophonecene”. Accounting for the transcultural entanglements of different ontologies—humans, plants, animals, as well as technoid beings—and being aware of Man’s epistemological conditions and limits, the recent concept helps to think through global issues of habitability and interspecies relationships with regard to the particular world of Chinese contemporary art. Eschewing essentialist, nationalist, civilizational, and human-centric notions of “Chineseness” in favor of more “worlded” approaches, the multi-vocal chapters also contribute to bridging existent divides between area specialists, art historians, artists, curators and educators, who are engaged in the field.

Historical Re-enactment in Artist Archive and Archival Art Practices of Contemporary Hong Kong

Authors
Sau Wai Vennes Cheng

About this book
The book brings a new approach to see the art history of Hong Kong as a historical mediator and offers? alternative perspective to discern the current hype of archive research and archival art practices, which informs the commitment in the constant production of socio-political meanings through arts. ?The book addresses the current social-political crises of Hong Kong by connecting art, memory, history, and political participation together through the site of archive and contextualises in both local and global perspectives, it also focuses on the artist archive, namely Ha Bik Chuen Archive, and archival art practices of contemporary Hong Kong, particularly in the social and political unrests, however, it ripples resonance and reflection not only in the local context but also to the region.?? The book is intended to the readers who are interested in both representational and interpretational nature of art and searching for alternatives means to perceive histories.

Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong

Authors
Yiu Fai Chow,?Jeroen de Kloet,?Leonie Schmidt

About this book
This book is unique in focusing on just one band from one city – but the story of Tat Ming Pair, in so many ways, is the story of Hong Kong's recent decades, from the Handover to the Umbrella Movement to 2019's standoff.? A comprehensive, theoretically informed study of the sonic history and present of Hong Kong through the prism of Tat Ming Pair, this book will be of interest to cultural studies scholars, scholars of Hong Kong, and those who study the arts in East Asia.

Theories and Experience in/from Asia

Editors
Lu Pan

About this book
This edited volume aims to fill the gap in the research, juxtaposition, and focused discussions in the existing literature on art archives in Asia. Most of the archives included in the book are independent and initiated by individuals, folk groups, or non-profit organizations. In this book, one can trace the dynamics and self-generative capacity in this particular historical and cultural milieu through these “alternative” archives and through the practices of artists and curators who apply their specific understanding of archive to their works. Many chapters resonate with each other in that they capture the experiences shared by many places in Asia. Those experiences could have resulted from the encounter with the Western idea of archive, the influence of the colonial experience, or a memory crisis triggered by the rapid transformation of media, and may serve as a basis for producing archive theories in/from Asia. The book provides an opportunity for the archives in Asia and those who work around them to recognize one another, understand what their colleagues in archival work do, how they do it and what else there is for them to do.

An Ethnographic Journey Through a Decade in Shanghai

Authors
Isaac Leung

About this book
This book explores the author's ten-year ethnographic journey in different locations in Shanghai. His immersion in China’s art world is grounded in a topology of places and new ways of writing and deploying history today. The ethnographic approaches to experiencing, analysing and representing space offer a critical tool to explore a different version of realism invisible in the nominal art and art history paradigms. As the market and institutional norms are still being defined, this book also documents and analyses how individuals have strived to negotiate boundaries in the art world and thus create unique selfhood. Instead of conventional methods of periodisation and stylistic analysis, this book presents a historiographic strategy emphasising the philosophical significance of spatial realism to offer insights into history, subjectivities and political institutions.

Authors
Justine Poplin

About this book
This book explores the impact of global change in China in what is considered in the West as ‘the Asian century’ and what this in turn means for visual culture. Unravelling a deep understanding of historical shifts in visual culture that represent socio-political mirrors of culture, it expands the Western perception of Chinese visual culture and the intertwined complexities of cultural signification. This book provides a key resource for Galleries and Academic Institutions, offering insights into understanding the systems underpinning ideas, skills and influences of the new visual culture in the Asian century.

Cultural Diversity and Tradition

Editors
Paul Gladston,?Lynne Howarth-Gladston, Johnson Tsong-zung Chang,?Jason Kuo

About this book
This is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity.

Shanghai Avant-Garde Art in the 1980s

Authors
Lansheng Zhang

About this book
This book is about avant-garde art in Shanghai in the 1980s which challenges the narrative in the current discourse on the appearance of contemporary art in China. Offering fresh perspectives and new insights into the art and the artists of this period, the book includes critical events in Shanghai, that will attract the serious attention of art professionals and collectors. The emergence of the Shanghai art scene in the 1980s mirrors the revitalisation of Shanghai that was tasked to lead China’s economic development trajectory onto the world stage. Shanghai, with its semi-colonial, political, economic and cultural history, including the strong legacy of the early twentieth century modernist art movement, has played a vital role in China’s modernisation and presents itself as a unique case in the evolution of contemporary art in China.

Authors
Zhun Gu

About this book
This book traces the cultural transformation of nostalgia on the Chinese screen over the past three decades. It explores how filmmakers from different generations have engaged politically with China’s rapidly changing post-socialist society as it has been formed through three mutually constitutive frameworks: political discourse, popular culture and state-led media commercialisation. The book offers a new, critical model for understanding relationships between filmmakers, industry and the State.

Authors
Sophia Kidd

About this book
This book approaches Silk Road studies from within the microcosm of China’s Southwest avant-garde arts sector in order to approach the macrocosm of China’s cultural heritage and creative industry influence worldwide.?While reading China’s cultural hegemony and its attendant ideologies as ‘shaping’ memory and history throughout New Silk Road regions, the book includes new regional research from within China's borders, as well as throughout New Silk Road regions. With twenty?years of experience in China, Sophia G. Kidd fills a void in discussions of the New Silk Roads?(NSR) which fail to underscore the importance of the initiative’s people-to-people component. Cultural diplomacy aids cooperation between New Silk Road Regions by reducing ‘cultural discount’ of Chinese cultural exports,?i.e.,?ideas and values,?creating a shift of?geo-cultural?thinking to come. This book?will prove?illuminating for students of the arts and soft power in greater China.

Art, Design, Film, New Media and the Prospects of “Post-West” Contemporaneity

Editors
Paul Gladston,?Beccy Kennedy-Schtyk,?Ming Turner

About this book
This edited collection brings together essays that share in a critical attention to visual culture as a means of representing, contributing to and/or intervening with discursive struggles and territorial conflicts currently taking place at and across the outward-facing and internal borders of the People’s Republic of China. Elucidated by the essays collected here for the first time is a constellation of what might be described as visual culture wars comprising resistances on numerous fronts not only to the growing power and expansiveness of the Chinese state but also the residues of a once pervasively suppressive Western colonialism/imperialism. The present volume addresses visual culture related to struggles and conflicts at the borders of Hong Kong, the South China Sea and Taiwan as well within the PRC with regard the so-called “Great Firewall of China” and differences in discursive outlook between China and the West on the significances of art, technology, gender and sexuality. In doing so, it provides a vital index of twenty-first century China’s diversely conflicted status as a contemporary nation-state and arguably nascent empire.

Bishan Project and Rural Reconstruction

Authors
Ou Ning

About this book
This book is a collection of texts on one of China's boldest social experiments in recent years: the rural reconstruction project in Bishan.?The Bishan Project (2011-2016) was a rural reconstruction project in a small village Bishan, Anhui Province, China.

The writings?describe and criticize the social problems caused by China’s over-loading urbanization process and starts a a?contemporary?agrarianism?and agritopianism?discourse to resist the modernism and developmentalism doctrine which dominated China for more than a century, answering a global?desire?for the theory and action of the alternative social solution for today’s environmental and political crises.This practical utopian commune project ran for 6 years and caused a national debate on rural issues in China, when it was invited to be exhibited and presented abroad.?

This collection of writing will be of interest to artists, China scholars, architects, and the cultural community at large.

Research by?Paul Gladston

Paul Gladston's award-winning research,?critical writing?and thought leadership?continues to have a significant impact on the development of contemporary art?and?cultural studies?internationally and across the Chinese-speaking world. Gladston’s publications are included on university undergraduate and?postgraduate reading lists in Europe, North America,?Australia?and China.?Several have been translated into languages other than English.

    • ‘The Thames Arcadia Rhizome’ (Funded by the Judith Neilson Endowment)

    This project critically explores a rhizomic network of intertextual relationships linking English Romanticism during the eighteenth and early nineteenth century in and around the area known as the ‘Thames Arcadia’ to sites of aestheticized display and experience in other historical and cultural contexts world-wide.??

    • ‘Rethinking Displays of Chinese Contemporary Art’ (Funded by the Judith Neilson Endowment)

    This project critically addresses questions related to the displaying of Chinese contemporary art in the intensely interconnected and multipolar context of 21st-century ‘post-West’ contemporaneity.

    • ‘Chinese Academic Translation Project:?Uneven-Line Lyrics for Entertainment Music in the Sui, Tang, and Five Dynasties’ (中华学术外译项目《隋唐五代燕乐杂言歌辞研究), National Social Science Fund of China (NSSFC) (Project No.: 22WZWB005). Paul Gladston, Co-investigator.

    • 2023-ongoing –

    • 2022-ongoing - .

    • 2022-ongoing -

    • 2020–ongoing - .?

    • 2015-ongoing – .

    • 20-22 May 2022 – ‘Chinese Cultures, Translation and Contemporaneity: Literature – Cinema – Performance - the Visual Arts,’ co-organized with Tsinghua University, Beijing in association with Institute for World Literatures and Cultures (IWLC) International Forum Series ‘World Maps and World Cultures.’

    • 28/29 April 2021 - ‘Rethinking the Curation of Chinese Contemporary Art,’ co-organized with the University of Maryland and supported by the Asia Society, Australia.

    • 2022-ongoing - 91色情片 ADA Contemporary Asia-Pacific Visual Cultures Webinar Series (est. 2022), co-organised by Paul Gladston and Minerva Inwald with Dr. Yu-Chieh Li (Lingnan – former 91色情片 JN post-doctoral Fellow). Series, organized partly in association with the Department of Visual Studies, The University of Lingnan, Hong Kong.
    • 2012 - Advisor to the internationally acclaimed exhibition ‘Art of Change: New Directions from China’, Hayward Gallery-South Bank Centre, London UK

    Monographs

    • Paul Gladston and Lynne Howarth-Gladston (2026 – in preparation),?The Thames Arcadia Rhizome.?

    ? ? ? ? ? ? ? ? ? ?Output of the research Project ‘The Thames Arcadia Rhizome’.

    • Paul Gladston and Lynne Howarth-Gladston (2025 – in preparation),?Dis-/Continuing Traditions: Interventions with Confucian Aesthetics by Contemporary Chinese Artists and Curators, London: Bloomsbury.

    Edited collections

    • Haiping Yan, Laurent Dubreuil and Paul Gladston eds. (2024 – in preparation),?Transculturality and China — in the World, London and Beijing: Routledge. Transcultural Studies in China Series (Tsinghua University – UK-China Humanities Alliance).

    • Paul Gladston, Lynne Howarth-Gladston, Jason Kuo and Johnson Tsong-zung Chang eds. (2024 – in press),?Rethinking Displays of Chinese Contemporary Art: Cultural Diversity and Tradition, London and Singapore: Palgrave. (Contemporary East Asian Visual Cultures, Societies and Politics series).

    ? ? ? ? ? ? ? ? ? ?Output of the research project ‘Rethinking Displays of Chinese Contemporary Art’.

    ? ? ? ? ? ? ? ? ? ?Output of the 2021 online conference ‘Rethinking the Curation of Chinese Contemporary Art,’
    ? ? ? ? ? ? ? ? ? ?co-organized with the University of Maryland and supported by the Asia Society, Australia.

    Book chapters

    • Paul Gladston (2024 – in press), ‘Somewhere (and Nowhere) between Modernity and Tradition: Toward a Polylogue between Differing International and Indigenous Perspectives on the Significance of Contemporary Chinese Art’, in Carol Lu ed., China as an Issue, London: Palgrave - English and Mandarin Chinese language translation.

    Originally published in English as Paul Gladston (2014), ‘Somewhere (and Nowhere) between Modernity and Tradition: Towards a Polylogue between Differing International and Indigenous Perspectives on the Significance of Contemporary Chinese Art’, Tate Papers 21 (Spring 2014).

    • Paul Gladston (2024 – in preparation), ‘Retheorizing Chinese Contemporary Art: Transcultural Defamiliarization and the Traces of Syncretic Confucianism’, in Haiping Yan, Laurent Dubreuil and Paul Gladston eds., Transculturality and China — in the World, London and Beijing: Routledge. Transcultural Studies in China Series (Tsinghua University – UK-China Humanities Alliance).

    • Paul Gladston and Lynne Howarth-Gladston (2024), ‘Inside/Outside the Yellow Box: Toward a Poly/Cacophonic Displaying of Chinese Contemporary Art’, in Paul Gladston, Lynne Howarth-Gladston, Jason Kuo and Chang Tzong-zung eds., Rethinking Displays of Chinese Contemporary Art, London and Singapore: Palgrave. Contemporary East Asian Visual Cultures, Societies and Politics series.

    • Paul Gladston (2024 – in press), '‘Humour/Youmo in Chinese Contemporary Art and Online Visual Culture: Identifying the Intertextual Traces of Confucian-literati Aesthetics’', in Gieskes M; Williams GH (ed.), Humor, Globalization, and Culture-specificity in Contemporary Art, Bloomsbury, London.

    Monographs

    • Paul Gladston (2023),?Художественные группы "Авангард" в Китае - 1979-1989?[‘Avant-garde’ Art Groups in China, 1979-1989], Boston MA: Academic Studies Press. [Contemporary Eastern Studies in the Russian Language].

    ? ? ? ? ? ? ? ? ? ? Revised translation of Paul Gladston (2013), ‘Avant-garde Art Groups in China, 1979-1989,
    ? ? ? ? ? ? ? ? ? ? Bristol: Intellect and Chicago: University of Chicago Press.

    Edited collections

    • Haiping Yan, Haina Jin and Paul Gladston eds. (2023),?.

    ? ? ? ? ? ? ? ? ? ? Output of the 2022 international online forum,?Chinese Cultures, Translation and
    ? ? ? ? ? ? ? ? ? ? Contemporaneity: Literature – Cinema – Performance - the Visual Arts    . Co-organized by Paul
    ? ? ? ? ? ? ? ? ? ? Gladston and Minerva Inwald with Profs. Haiping Yan and Haina Jin, Tsinghua University,
    ? ? ? ? ? ? ? ? ? ? Beijing in association with Institute for World Literatures and Cultures (IWLC) International
    ? ? ? ? ? ? ? ? ? ? Forum Series ‘World Maps and World Cultures.’

    Book chapters

    • Paul Gladston (2023), 'Dis-/continuing traditions: Chinese contemporary art, polylogic translation and the traces of confucian-literati culture', in Translation Studies and China: Literature, Cinema, and Visual Arts, 217-234.

    • Paul Gladston (2023), ‘Other Ways of Seeing: Reading Transcultural Aesthetics through Images’, Bloomsbury Philosophy Library – London: Bloomsbury History of Modern Aesthetics.

    Journal articles

    • Paul Gladston and Lynne Howarth-Gladston (2023), .

    Output of the research Project ‘The Thames Arcadia Rhizome’.

    Book chapters

    • Paul Gladston and Lynne Howarth-Gladston (2022), .

    Output of the research Project ‘The Thames Arcadia Rhizome’.

    Journal reviews

    • Paul Gladston (2022), .?

    Edited collections

    • Paul Gladston, Beccy Kennedy-Schtyk and Ming Turner eds. (2021),?.

    ? ? ? ? ? ? ? ? ? ? ? Output of the AHRC UK-funded research project, ‘Visualising Chinese Borders.’

    Book chapters

    • Paul Gladston, Beccy Kennedy-Schtyk and Ming Turner (2021), 'Introduction', in Visual Culture Wars at the Borders of Contemporary China, Springer Singapore, 1 - 23,

    • Paul Gladston and Beccy Kennedy-Schtyk (2021), 'Rendering Frontiers: From China's Historical Dynastic-Imperial to Modern Republican Borders and the Changing Significances of Chinese Art', in Paul Gladston, Beccy Kennedy-Schtyk and (Ming Turner eds., Visual Culture wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of "Post-West" Contemporaneity, Palgrave Macmillan, London and Singapore.

    • Paul Gladston (2021), 'Foreword', in Jesse Hogan ed., Survival Aesthetics ? Interview Series: On Post-Contemporary Art Practice in Japan, Japan Foundation.

    • Paul Gladston (2021), '‘#15 Change – Mountain in Full Bloom, Yicong Guo’', in UNESCO Art Collection: Selected Works, Paris: UNESCO, 94 – 97.

    • Paul Gladston (2021), '超越鄙视（当代性：论对于国际后现代主义艺术理论和中国当代艺术理论的多方对话 (Beyond Contemp(oranei)t(y): toward a polylogue of international and localized perspectives on the significances of Chinese contemporary art),', in Carol Yinghau Lu ed., China as an Issue: Artistic and Intellectual Practices Since the Second Half of the Twentieth Century vol.4, Beijing: Inside-Out Art Museum, 61 – 85.

    A new Mandarin Chinese translation of Paul Gladston (2016), ‘Beyond Contemp(oranei)t(y): towards a discursive polylogue of international postmodernist and Chinese contemporary art theory’（当代性：论对于国际后现代主义艺术 理论和中国当代艺术理论的多方对话), in Gao, Minglu ed., Criteria-Method- Context (标准-方法-上下文), Beijing: Central Compilation and Translation Press, 37- 63. Includes essays by Hans Belting and Gao Minglu.

    Journal articles

    • Paul Gladston?(2020),?‘.

    • Paul Gladston (2020), ‘Going Over the Edge: COVID-19, contemporary artworlds, the global artistic-industrial complex and NIRIN,’ 诲颈’惫补苍: a Journal of Accounts 8, 8-27.

    Monographs

    • Paul Gladston (2019),?.

    Journal articles

    • Paul Gladston (2019), ‘Beyond the Pale: Critical Reflections on Society, and Politics Within and at the Borders of China,’ 诲颈’惫补苍: a Journal of Accounts 7, 90-103.

    Book chapters

    • Paul Gladston and Lynne Howarth-Gladston (2018), '‘Of Nühua (‘women’s painting’) and the Absenting of Ink: A Critical Meditation on Works by the Artist Fu Xiaotong’,', in Fan F; Wang C (ed.), New Debates on Ink Art: The Genealogy of Ink Art and Its Conceptual Changes – The Historical Identity Dimensions, Wuhan Art Museum – Hebei Fine Arts Publishing House, Wuhan - Hebei, 432-488.

    • Paul Gladston (2018), '‘Critical Reflections on Yu Youhan’s Paintings as a Locus of Aesthetic Modernity’', in Yu Youhan: Representational-Abstract, Chongqing: Long Museum.

    • Gladston P,?2016,?Paul Gladston, Deconstructing Contemporary Chinese Art: Selected Critical Writings and Conversations, 2007-2014,?Springer Verlag,?Heidelberg

    • Gladston P,?2014,?Contemporary Chinese Art: A Critical History,?Reaktion Books,?London

    • Gladston P,?2011,?Contemporary Art in Shanghai: Conversations with Seven Chinese Artists,?Blue Kingfisher Limited

    • Gladston P,?2005,?Art History after Deconstruction: Is There Any Future for a Deconstructive Attention to Art History?,?Magnolia

    Book Chapters

    • Gladston P,?2017,?'‘Critical Reflections on Yu Youhan’s Paintings as a Locus of Aesthetic Modernity’', in?Yu Youhan – PSA Collection Series,?Power Station of Art,?Shanghai

Research by the?Post-Doctoral?Fellows

Dr. Minerva Inwald

Journal articles

  • Inwald, M. 2023, 'The Aesthetic Needs of the Masses: Cultural Work in the Aftermath of the Great Leap Forward', Modern China, 49, pp. 290 – 319.?
  • Inwald, M. “The Chinese Communist Party: A Century in Ten Lives: Edited by Timothy Cheek, Klaus Mühlhahn, & Hans van de Ven, Cambridge University Press, 2021, 282 Pp., A$113.95 (Hardback), A$34.95 (Paperback).” Asian studies review (2023): 1–2. [REVIEW]?

Dr. Yu-Chieh Li

Completed?during the post

Academic
  • Yu-Chieh Li, “Translating Happenings: Frog King Kwok's Abject Play,”?Art in Translation, Volume 11, 4 (2020): 417-440.?
  • Yu-Chieh Li,?“Two-Dimensional Installation Art: The Case of Xu Bing, Wenda Gu, and Yang Jiechang,” in?Xu Bing: Beyond the Book from the Sky, 87-96 (Springer, 2020).
  • Yu-Chieh Li and?Sarah E. Fraser eds,?Xu Bing: Beyond the Book from the Sky?(Springer, 2020).?
Non-academic
  • Yu-Chieh Li and Meiya Cheng eds. “Learning from Peers,” Workshop Proceedings of events taken place at Gudskul (Ruangruppa), Jakarta, 2-19 September 2019.

Initiated?during the post

Academic
  • Yu-Chieh Li,?“Gender and Performativity in?Xing Danwen’s East Village,”?Third Text?170 (May 2021): 389-410.
  • Yu-Chieh Li,?“Behind the Shutter: Disappearance and the Postcolonial Body in Early Sinophone Media Art,” in?World Art?11, 2(2021): 177-200.??
  • Yu-Chieh Li,?“Rethinking/Relinking Colonial Ruptures: On Recent Works by Musquiqui Chihying and Hao Jingban,”?Australian and New Zealand Journal of Art?Issue?21.1 (September 2021): 94-114.
  • Yu-Chieh Li,?“Survival Tactics within Cold War Ideologies: Post-Mao Artists on the Tides of Globalization,” in?Visual?Representations of the Cold War and Postcolonial Struggles: Art in East and Southeast Asia?(Routledge,?2021): 175-195.
  • Yu-Chieh Li and?Midori Yamamura eds,?Visual?Representations of the Cold War and Postcolonial Struggles: Art in East and Southeast Asia?(Routledge, March 2021).
Non-academic
  • Yu-Chieh Li,?“This Shore: A Family Story,”?Asian Diasporic Visual Cultures and the Americas?6, 3, p. 332-335.
  • (edited)? Affect Machine: Self-healing in the Post-Capitalist Era. Taipei: Taipei Fine Arts Museum, 2021.